National Allegory in Teju Cole’s Open City

This article analyzes Teju Cole’s Open City as a political novel, arguing that Open City functions as a national allegory critical of the United States. This stance is facilitated by its portrayal of the protagonist Julius as suffering not a dissociative fugue but a dissociative amnesia, which I arr...

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Main Author: Derek F. DiMatteo
Format: Article
Language:English
Published: European Association for American Studies 2024-06-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/22112
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author Derek F. DiMatteo
author_facet Derek F. DiMatteo
author_sort Derek F. DiMatteo
collection DOAJ
description This article analyzes Teju Cole’s Open City as a political novel, arguing that Open City functions as a national allegory critical of the United States. This stance is facilitated by its portrayal of the protagonist Julius as suffering not a dissociative fugue but a dissociative amnesia, which I arrive at by using the American Psychiatric Association’s Diagnostic and Statistical Manual (DSM) V and a rereading of Ian Hacking to revise prior interpretations of Julius as flâneur-fugueur. Drawing on the work of Fredric Jameson, I read Julius’s amnesia-like repression of his past crimes as allegorical of his adopted nation, the USA, which tends to forget its responsibility for its own historical injustices. By selectively forgetting these injustices and traumas—even as they happen—the USA behaves with the same dissociative amnesia as Julius. Open City reflects the psychopathology of the USA on the scale of the individual and the city. Within the palimpsests of history scattered materially throughout Manhattan (and within the repressed memories of society and the individual) resides the location of national allegory in Open City.
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spelling doaj-art-3281a2e17c53430d8a7c061abe63dbd82025-01-06T09:07:49ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362024-06-01192National Allegory in Teju Cole’s Open CityDerek F. DiMatteoThis article analyzes Teju Cole’s Open City as a political novel, arguing that Open City functions as a national allegory critical of the United States. This stance is facilitated by its portrayal of the protagonist Julius as suffering not a dissociative fugue but a dissociative amnesia, which I arrive at by using the American Psychiatric Association’s Diagnostic and Statistical Manual (DSM) V and a rereading of Ian Hacking to revise prior interpretations of Julius as flâneur-fugueur. Drawing on the work of Fredric Jameson, I read Julius’s amnesia-like repression of his past crimes as allegorical of his adopted nation, the USA, which tends to forget its responsibility for its own historical injustices. By selectively forgetting these injustices and traumas—even as they happen—the USA behaves with the same dissociative amnesia as Julius. Open City reflects the psychopathology of the USA on the scale of the individual and the city. Within the palimpsests of history scattered materially throughout Manhattan (and within the repressed memories of society and the individual) resides the location of national allegory in Open City.https://journals.openedition.org/ejas/22112Fredric JamesonUnited StatesTeju ColeOpen Citynational allegorydissociative amnesia
spellingShingle Derek F. DiMatteo
National Allegory in Teju Cole’s Open City
European Journal of American Studies
Fredric Jameson
United States
Teju Cole
Open City
national allegory
dissociative amnesia
title National Allegory in Teju Cole’s Open City
title_full National Allegory in Teju Cole’s Open City
title_fullStr National Allegory in Teju Cole’s Open City
title_full_unstemmed National Allegory in Teju Cole’s Open City
title_short National Allegory in Teju Cole’s Open City
title_sort national allegory in teju cole s open city
topic Fredric Jameson
United States
Teju Cole
Open City
national allegory
dissociative amnesia
url https://journals.openedition.org/ejas/22112
work_keys_str_mv AT derekfdimatteo nationalallegoryintejucolesopencity