L’Art du détour selon Shakespeare : les déviations de Troilus and Cressida, d’Othello et de The Tempest
If Shakespeare’s Renaissance contemporaries were keen on efficiency and “progress” (in the sense of “onward movement in space”), they also particularly enjoyed labyrinthine ways which distracted them from their primary purposes. I therefore propose to explore the deviations in three very different p...
Saved in:
Main Author: | Sophie Alatorre |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2008-03-01
|
Series: | Revue LISA |
Online Access: | https://journals.openedition.org/lisa/393 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Othello /
by: Shakespeare, William
Published: (2009) -
La fin de l’art selon Friedrich Kittler
by: Audrey Rieber
Published: (2017-12-01) -
Othello Syndrome Secondary to Ropinirole: A Case Study
by: Kakali Pal, et al.
Published: (2012-01-01) -
Sophie Chiari. L’Image du labyrinthe à la Renaissance. Détours et arabesques au temps de Shakespeare
by: Jean-Louis CLARET
Published: (2012-03-01) -
Texte, trame, signe : les ficelles de l’art selon Dante Gabriel Rossetti
by: Laurence Roussillon-Constanty
Published: (2006-12-01)