‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita Benner

Katherine Anne Porter and Anita Brenner engaged transcultural journeys in order to realize their visions of validating the work of Indigenous Mexican artists. They both believed that the Indigenismo movement, made popular by the muralists in 1920s post-revolutionary Mexico, celebrated the Natives wi...

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Main Author: Tabitha A. MORGAN
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2019-06-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/7154
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author Tabitha A. MORGAN
author_facet Tabitha A. MORGAN
author_sort Tabitha A. MORGAN
collection DOAJ
description Katherine Anne Porter and Anita Brenner engaged transcultural journeys in order to realize their visions of validating the work of Indigenous Mexican artists. They both believed that the Indigenismo movement, made popular by the muralists in 1920s post-revolutionary Mexico, celebrated the Natives without negotiating their harsh lived reality. Porter and Brenner employed what may be termed a decolonialist agenda when they chose to work with and showcase Indigenous art in their own creative endeavors. This decolonialist agenda situated the Indigenous voice in the forefront and helped further advance a working-class aesthetic and modern Mexican identity uniquely tied to indigeneity that was often neglected by other revolutionary efforts.
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issn 1638-1718
language English
publishDate 2019-06-01
publisher Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
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spelling doaj-art-306f1ff64a2a4096af7c78162416e6ed2025-01-09T12:52:51ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182019-06-0116210.4000/erea.7154‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita BennerTabitha A. MORGANKatherine Anne Porter and Anita Brenner engaged transcultural journeys in order to realize their visions of validating the work of Indigenous Mexican artists. They both believed that the Indigenismo movement, made popular by the muralists in 1920s post-revolutionary Mexico, celebrated the Natives without negotiating their harsh lived reality. Porter and Brenner employed what may be termed a decolonialist agenda when they chose to work with and showcase Indigenous art in their own creative endeavors. This decolonialist agenda situated the Indigenous voice in the forefront and helped further advance a working-class aesthetic and modern Mexican identity uniquely tied to indigeneity that was often neglected by other revolutionary efforts.https://journals.openedition.org/erea/7154transnationalismmodernityMexican artdecolonizationIndigenous identitytransculturalism
spellingShingle Tabitha A. MORGAN
‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita Benner
E-REA
transnationalism
modernity
Mexican art
decolonization
Indigenous identity
transculturalism
title ‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita Benner
title_full ‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita Benner
title_fullStr ‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita Benner
title_full_unstemmed ‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita Benner
title_short ‘Inherited Images’: the Decolonialist agenda of Katherine Anne Porter and Anita Benner
title_sort inherited images the decolonialist agenda of katherine anne porter and anita benner
topic transnationalism
modernity
Mexican art
decolonization
Indigenous identity
transculturalism
url https://journals.openedition.org/erea/7154
work_keys_str_mv AT tabithaamorgan inheritedimagesthedecolonialistagendaofkatherineanneporterandanitabenner