La memoria de un fruto: La Fiesta del Pijuayo
The bora painter Víctor Churay Roque (or Ivá Wajyámu, « Feathered macaw »), author of the Fiesta del Pijuayo, presents a rite that evokes the mith of the first man who sowed the palm tree in this land. This work sets from the indigenous contemporary perspective the festivity’s visual story and the p...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Midi
2018-06-01
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| Series: | Caravelle |
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| Online Access: | https://journals.openedition.org/caravelle/2983 |
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| author | María Eugenia Yllia Nancy Ochoa |
| author_facet | María Eugenia Yllia Nancy Ochoa |
| author_sort | María Eugenia Yllia |
| collection | DOAJ |
| description | The bora painter Víctor Churay Roque (or Ivá Wajyámu, « Feathered macaw »), author of the Fiesta del Pijuayo, presents a rite that evokes the mith of the first man who sowed the palm tree in this land. This work sets from the indigenous contemporary perspective the festivity’s visual story and the permanence of the knowledge and ancestral use of the palm tree today. Its symbolic importance spreads beyond the borders and inscribes itself in the mythological, religious and ritual body of knowledge of indigenous populations from north-west Amazonia in Colombian, Peruvian, Bolivian and Brazilian territories, thus revealing the production’s sophisticated technologies. |
| format | Article |
| id | doaj-art-3060eddf6a264970894c515a4ed3a640 |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2018-06-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-3060eddf6a264970894c515a4ed3a6402025-01-09T16:14:42ZspaPresses universitaires du MidiCaravelle1147-67532272-98282018-06-011108710210.4000/caravelle.2983La memoria de un fruto: La Fiesta del PijuayoMaría Eugenia YlliaNancy OchoaThe bora painter Víctor Churay Roque (or Ivá Wajyámu, « Feathered macaw »), author of the Fiesta del Pijuayo, presents a rite that evokes the mith of the first man who sowed the palm tree in this land. This work sets from the indigenous contemporary perspective the festivity’s visual story and the permanence of the knowledge and ancestral use of the palm tree today. Its symbolic importance spreads beyond the borders and inscribes itself in the mythological, religious and ritual body of knowledge of indigenous populations from north-west Amazonia in Colombian, Peruvian, Bolivian and Brazilian territories, thus revealing the production’s sophisticated technologies.https://journals.openedition.org/caravelle/2983Peruvian AmazoniaContemporary Amazonian indigenous paintingsBorasHuitotosPijuayo |
| spellingShingle | María Eugenia Yllia Nancy Ochoa La memoria de un fruto: La Fiesta del Pijuayo Caravelle Peruvian Amazonia Contemporary Amazonian indigenous paintings Boras Huitotos Pijuayo |
| title | La memoria de un fruto: La Fiesta del Pijuayo |
| title_full | La memoria de un fruto: La Fiesta del Pijuayo |
| title_fullStr | La memoria de un fruto: La Fiesta del Pijuayo |
| title_full_unstemmed | La memoria de un fruto: La Fiesta del Pijuayo |
| title_short | La memoria de un fruto: La Fiesta del Pijuayo |
| title_sort | la memoria de un fruto la fiesta del pijuayo |
| topic | Peruvian Amazonia Contemporary Amazonian indigenous paintings Boras Huitotos Pijuayo |
| url | https://journals.openedition.org/caravelle/2983 |
| work_keys_str_mv | AT mariaeugeniayllia lamemoriadeunfrutolafiestadelpijuayo AT nancyochoa lamemoriadeunfrutolafiestadelpijuayo |