Figures de l'anonymat. De quoi Banksy est-il le non ?
Refuse to be named, while pointing art as a new esthetic experience of politics, is a challenge nevertheless regularly damaged by the digital strategies of unveiling of the most famous unknown's name on the street-art area. With his anonymity, Banksy joins masters of the Renaissance whose artis...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2016-01-01
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| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/7398 |
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