“Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)

This article explores the ways in which pastiche, the past, and national iden- tity are portrayed and navigated in the concluding film of Edgar Wright’s The Cornetto Trilogy: The World’s End (2013). By focusing on the relationship between the use of the past and pastiche, it will be considered how t...

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Main Author: Diana Ortega Martin
Format: Article
Language:English
Published: Institute of English Studies 2023-09-01
Series:Anglica. An International Journal of English Studies
Subjects:
Online Access:https://anglica-journal.com/resources/html/article/details?id=613888
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author Diana Ortega Martin
author_facet Diana Ortega Martin
author_sort Diana Ortega Martin
collection DOAJ
description This article explores the ways in which pastiche, the past, and national iden- tity are portrayed and navigated in the concluding film of Edgar Wright’s The Cornetto Trilogy: The World’s End (2013). By focusing on the relationship between the use of the past and pastiche, it will be considered how they are employed to negotiate the notion of national identity. Through its comedic strategies and tropes, the film rebels against a homogenised version of Englishness based on mythical assumptions of the past and striving toward perfection. The dissection of the cinematic structure of pastiche will reveal a temporal framework questioning contemporary narratives of national identity. Moreover, the exploration of nostalgia and the past as places of retreat, as well as pastiche as a device of comedic criticism, enable Wright to offer a portrait of Englishness as struggling to recover its identity amidst a turbulent and apocalyptic time.
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series Anglica. An International Journal of English Studies
spelling doaj-art-2d5f6d1ac3be44c6830e91f33bc23b652025-01-03T01:31:51ZengInstitute of English StudiesAnglica. An International Journal of English Studies0860-57342023-09-01321536710.7311/0860-5734.32.1.04“Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)Diana Ortega Martin0https://orcid.org/0000-0002-2880-4241Complutense University of MadridThis article explores the ways in which pastiche, the past, and national iden- tity are portrayed and navigated in the concluding film of Edgar Wright’s The Cornetto Trilogy: The World’s End (2013). By focusing on the relationship between the use of the past and pastiche, it will be considered how they are employed to negotiate the notion of national identity. Through its comedic strategies and tropes, the film rebels against a homogenised version of Englishness based on mythical assumptions of the past and striving toward perfection. The dissection of the cinematic structure of pastiche will reveal a temporal framework questioning contemporary narratives of national identity. Moreover, the exploration of nostalgia and the past as places of retreat, as well as pastiche as a device of comedic criticism, enable Wright to offer a portrait of Englishness as struggling to recover its identity amidst a turbulent and apocalyptic time.https://anglica-journal.com/resources/html/article/details?id=613888film studiescomedynational identityenglishnessnostalgiapastiche
spellingShingle Diana Ortega Martin
“Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)
Anglica. An International Journal of English Studies
film studies
comedy
national identity
englishness
nostalgia
pastiche
title “Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)
title_full “Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)
title_fullStr “Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)
title_full_unstemmed “Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)
title_short “Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013)
title_sort life would never feel this good again the use of pastiche in edgar wright s the world s end 2013
topic film studies
comedy
national identity
englishness
nostalgia
pastiche
url https://anglica-journal.com/resources/html/article/details?id=613888
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