Historicising the question of socialisation into “popular music”
This article is more of a programmatic text than a specific research report. It aims to show the necessity of a historicization of the question of musical socializations, in particular in the field of popular music which appeared during the 20th century and evolved much in a few decades. Based on a...
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| Format: | Article |
| Language: | English |
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Éditions de l'EHESS
2023-12-01
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| Series: | Transposition |
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| Online Access: | https://journals.openedition.org/transposition/8113 |
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| _version_ | 1846132850328338432 |
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| author | Marc Perrenoud |
| author_facet | Marc Perrenoud |
| author_sort | Marc Perrenoud |
| collection | DOAJ |
| description | This article is more of a programmatic text than a specific research report. It aims to show the necessity of a historicization of the question of musical socializations, in particular in the field of popular music which appeared during the 20th century and evolved much in a few decades. Based on a set of sociohistorical works, including those conducted by the author for the last twenty-five years (field surveys in France and Switzerland mainly), the article highlights the drastic evolution of the conditions of possibility of a coming to musical practice in the last sixty years. |
| format | Article |
| id | doaj-art-2c07c3579b9e4e1b83cf8208b5f3c179 |
| institution | Kabale University |
| issn | 2110-6134 |
| language | English |
| publishDate | 2023-12-01 |
| publisher | Éditions de l'EHESS |
| record_format | Article |
| series | Transposition |
| spelling | doaj-art-2c07c3579b9e4e1b83cf8208b5f3c1792024-12-09T14:24:09ZengÉditions de l'EHESSTransposition2110-61342023-12-011110.4000/transposition.8113Historicising the question of socialisation into “popular music”Marc PerrenoudThis article is more of a programmatic text than a specific research report. It aims to show the necessity of a historicization of the question of musical socializations, in particular in the field of popular music which appeared during the 20th century and evolved much in a few decades. Based on a set of sociohistorical works, including those conducted by the author for the last twenty-five years (field surveys in France and Switzerland mainly), the article highlights the drastic evolution of the conditions of possibility of a coming to musical practice in the last sixty years.https://journals.openedition.org/transposition/8113Historicizationmusical socialisationsmusical workmusickingordinary musicians |
| spellingShingle | Marc Perrenoud Historicising the question of socialisation into “popular music” Transposition Historicization musical socialisations musical work musicking ordinary musicians |
| title | Historicising the question of socialisation into “popular music” |
| title_full | Historicising the question of socialisation into “popular music” |
| title_fullStr | Historicising the question of socialisation into “popular music” |
| title_full_unstemmed | Historicising the question of socialisation into “popular music” |
| title_short | Historicising the question of socialisation into “popular music” |
| title_sort | historicising the question of socialisation into popular music |
| topic | Historicization musical socialisations musical work musicking ordinary musicians |
| url | https://journals.openedition.org/transposition/8113 |
| work_keys_str_mv | AT marcperrenoud historicisingthequestionofsocialisationintopopularmusic |