The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
Considered lost until a few years ago, the Annunciation painted by François Le Moyne in 1727 (and turned into a print, in the following year, by Laurent Cars) was widely copied, both in paintings and prints. But while the paintings – some of them thought to have originated in Le Moyne’s own worksho...
Saved in:
Main Author: | Rosário Salema de Carvalho |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad Complutense de Madrid
2025-02-01
|
Series: | Eikón Imago |
Subjects: | |
Online Access: | https://revistas.ucm.es/index.php/EIKO/article/view/92881 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Trayectoria y vanguardia
by: Fernando Luis Martínez Nespral
Published: (2024-11-01) -
Stratification, montage, symbiose. Les textes et les images du calice et de la patène de Saint-Godehard d’Hildesheim
by: Vincent Debiais
Published: (2017-01-01) -
La relation texte-image dans les pièces gothiques
by: Marion Pouspin
Published: (2017-01-01) -
Document watermarking scheme for information tracking
by: QI Wen-fa, et al.
Published: (2008-01-01) -
El Azulejo de Garganta Canela
by: Hannah Fox, et al.
Published: (2023-03-01)