« Ascénir » le space opera : de Joël Maillard à Bruno Latour
The hypothesis developed around Quitter la Terre (2017, Lausanne, Théâtre de l'Arsenic) questions in its own way "the idea that SF would not find its "privileged mode of realization" in the theater". (Bionda, 2019). This questioning is rooted in the observation that this sho...
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Université de Limoges
2021-12-01
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| Series: | ReS Futurae |
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| Online Access: | https://journals.openedition.org/resf/9649 |
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| author | Danielle Chaperon |
| author_facet | Danielle Chaperon |
| author_sort | Danielle Chaperon |
| collection | DOAJ |
| description | The hypothesis developed around Quitter la Terre (2017, Lausanne, Théâtre de l'Arsenic) questions in its own way "the idea that SF would not find its "privileged mode of realization" in the theater". (Bionda, 2019). This questioning is rooted in the observation that this show shares with several other recent productions an apparently incongruous motif: touch down, namely the action of landing an aerospace vehicle on the ground of a planet. This motif is analyzed in relation to the imperative of "return to Earth", addressed by Bruno Latour in his lecture-show Inside (2016, Paris, Théâtre Nanterre-Amandiers). The verb ascénir, displayed in the title of the article, proposes to gather some modalities of this operation. The verb ascènir, which is used in the title of the article, is intended to bring together a few of the modalities of this operation. Written by Julie Sermon(2018), which is part of an eco-theatrical movement that aims to decentralize human beings, Quitter la Terre (2017) does not propose to "eliminate them from the stage, to confront them with non-humans, or to place them back within a spatio-temporal scale that exceeds them and relativizes their place" (Lehmann,2002). In an artistic context marked by the debates around the anthropocene,Joël Maillard attacks the "cosmos of the moderns" by diverting certain imaginations from the science fiction of the 1960s and 1970s and, following the example of Bruno Latour, by making the stage cage the symbolic stake of a "War of the Worlds". |
| format | Article |
| id | doaj-art-2b1ea981f5e94b5c80540ece31c9cfd2 |
| institution | Kabale University |
| issn | 2264-6949 |
| language | fra |
| publishDate | 2021-12-01 |
| publisher | Université de Limoges |
| record_format | Article |
| series | ReS Futurae |
| spelling | doaj-art-2b1ea981f5e94b5c80540ece31c9cfd22025-01-06T10:42:39ZfraUniversité de LimogesReS Futurae2264-69492021-12-011810.4000/resf.9649« Ascénir » le space opera : de Joël Maillard à Bruno LatourDanielle ChaperonThe hypothesis developed around Quitter la Terre (2017, Lausanne, Théâtre de l'Arsenic) questions in its own way "the idea that SF would not find its "privileged mode of realization" in the theater". (Bionda, 2019). This questioning is rooted in the observation that this show shares with several other recent productions an apparently incongruous motif: touch down, namely the action of landing an aerospace vehicle on the ground of a planet. This motif is analyzed in relation to the imperative of "return to Earth", addressed by Bruno Latour in his lecture-show Inside (2016, Paris, Théâtre Nanterre-Amandiers). The verb ascénir, displayed in the title of the article, proposes to gather some modalities of this operation. The verb ascènir, which is used in the title of the article, is intended to bring together a few of the modalities of this operation. Written by Julie Sermon(2018), which is part of an eco-theatrical movement that aims to decentralize human beings, Quitter la Terre (2017) does not propose to "eliminate them from the stage, to confront them with non-humans, or to place them back within a spatio-temporal scale that exceeds them and relativizes their place" (Lehmann,2002). In an artistic context marked by the debates around the anthropocene,Joël Maillard attacks the "cosmos of the moderns" by diverting certain imaginations from the science fiction of the 1960s and 1970s and, following the example of Bruno Latour, by making the stage cage the symbolic stake of a "War of the Worlds".https://journals.openedition.org/resf/9649dramaturgytheaterLatour (Bruno)Maillard (Joël)anthropocene21st century |
| spellingShingle | Danielle Chaperon « Ascénir » le space opera : de Joël Maillard à Bruno Latour ReS Futurae dramaturgy theater Latour (Bruno) Maillard (Joël) anthropocene 21st century |
| title | « Ascénir » le space opera : de Joël Maillard à Bruno Latour |
| title_full | « Ascénir » le space opera : de Joël Maillard à Bruno Latour |
| title_fullStr | « Ascénir » le space opera : de Joël Maillard à Bruno Latour |
| title_full_unstemmed | « Ascénir » le space opera : de Joël Maillard à Bruno Latour |
| title_short | « Ascénir » le space opera : de Joël Maillard à Bruno Latour |
| title_sort | ascenir le space opera de joel maillard a bruno latour |
| topic | dramaturgy theater Latour (Bruno) Maillard (Joël) anthropocene 21st century |
| url | https://journals.openedition.org/resf/9649 |
| work_keys_str_mv | AT daniellechaperon ascenirlespaceoperadejoelmaillardabrunolatour |