„Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografki
Although Halina Rząsa (1924–1980) was a photographer of considerable reputation in Zakopane, we are able to say next to nothing about her life and work. She is mostly remembered and mentioned as the wife and mother of two famous sculptors: Antoni Rząsa (1919–1980) and Marcin Rząsa (born 1965). The a...
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Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego
2023-12-01
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| Series: | Załącznik Kulturoznawczy |
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| Online Access: | https://czasopisma.uksw.edu.pl/index.php/zk/article/view/13573/12173 |
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| _version_ | 1841533604594712576 |
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| author | Katarzyna Chrudzimska-Uhera |
| author_facet | Katarzyna Chrudzimska-Uhera |
| author_sort | Katarzyna Chrudzimska-Uhera |
| collection | DOAJ |
| description | Although Halina Rząsa (1924–1980) was a photographer of considerable reputation in Zakopane, we are able to say next to nothing about her life and work. She is mostly remembered and mentioned as the wife and mother of two famous sculptors: Antoni Rząsa (1919–1980) and Marcin Rząsa (born 1965). The article looks at the history of the Zakopane artistic circles in order to reconstruct in detail the biography of this underappreciated artist. The author uses information and photographic material from a private family archive deposited in the Antoni Rząsa Gallery in Zakopane.
Halina Rząsa moved to Zakopane in the 1950s. Along with her first husband, Janusz Vogel, she worked with landscape and documentary photography, concentrating—among others—on the local artistic life. One of her main subjects was a well-known Zakopane sculptor, Antoni Rząsa. The two soon fell in love, had a son, and got married. Halina Rząsa’s subsequent photography reflected the daily life of her family, region, and the Tatra mountains. Today, it is a perfect source of data for an analysis of Antoni Rząsa’s oeuvre. At the same time, it is essential to understand that Halina Rząsa was a creative and innovative artist in her own right and deserves to be remembered and appreciated as such. |
| format | Article |
| id | doaj-art-29434db8106c471faa04e4a2f69bebc6 |
| institution | Kabale University |
| issn | 2392-2338 |
| language | English |
| publishDate | 2023-12-01 |
| publisher | Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego |
| record_format | Article |
| series | Załącznik Kulturoznawczy |
| spelling | doaj-art-29434db8106c471faa04e4a2f69bebc62025-01-15T15:20:48ZengWydawnictwo Naukowe Uniwersytetu Kardynała Stefana WyszyńskiegoZałącznik Kulturoznawczy2392-23382023-12-011061563910.21697/zk.2023.10.28„Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografkiKatarzyna Chrudzimska-Uhera0https://orcid.org/0000-0001-6283-4682Uniwersytet Kardynała Stefana WyszyńskiegoAlthough Halina Rząsa (1924–1980) was a photographer of considerable reputation in Zakopane, we are able to say next to nothing about her life and work. She is mostly remembered and mentioned as the wife and mother of two famous sculptors: Antoni Rząsa (1919–1980) and Marcin Rząsa (born 1965). The article looks at the history of the Zakopane artistic circles in order to reconstruct in detail the biography of this underappreciated artist. The author uses information and photographic material from a private family archive deposited in the Antoni Rząsa Gallery in Zakopane. Halina Rząsa moved to Zakopane in the 1950s. Along with her first husband, Janusz Vogel, she worked with landscape and documentary photography, concentrating—among others—on the local artistic life. One of her main subjects was a well-known Zakopane sculptor, Antoni Rząsa. The two soon fell in love, had a son, and got married. Halina Rząsa’s subsequent photography reflected the daily life of her family, region, and the Tatra mountains. Today, it is a perfect source of data for an analysis of Antoni Rząsa’s oeuvre. At the same time, it is essential to understand that Halina Rząsa was a creative and innovative artist in her own right and deserves to be remembered and appreciated as such.https://czasopisma.uksw.edu.pl/index.php/zk/article/view/13573/12173sztuka xx wiekufotografiasztuka kobietrzeźbazakopanegaleria antoniego rząsy |
| spellingShingle | Katarzyna Chrudzimska-Uhera „Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografki Załącznik Kulturoznawczy sztuka xx wieku fotografia sztuka kobiet rzeźba zakopane galeria antoniego rząsy |
| title | „Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografki |
| title_full | „Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografki |
| title_fullStr | „Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografki |
| title_full_unstemmed | „Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografki |
| title_short | „Portret jednego człowieka”. Przyczynek do biografii Haliny Rząsowej (1924–1980), zakopiańskiej fotografki |
| title_sort | portret jednego czlowieka przyczynek do biografii haliny rzasowej 1924 1980 zakopianskiej fotografki |
| topic | sztuka xx wieku fotografia sztuka kobiet rzeźba zakopane galeria antoniego rząsy |
| url | https://czasopisma.uksw.edu.pl/index.php/zk/article/view/13573/12173 |
| work_keys_str_mv | AT katarzynachrudzimskauhera portretjednegoczłowiekaprzyczynekdobiografiihalinyrzasowej19241980zakopianskiejfotografki |