The “found story” in Derviş Zaim’s cinema: Documentary reality through the possibilities of digital cinema
Derviş Zaim’s cinema is a cinema of exploration. Zaim blends found story with fiction, constructing a framework in which content and form reinforce each other. His films Somersault in a Coffin (1996) and Cycle (2013), based on real events and characters, are rooted in found...
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Main Author: | Aslı Güngör |
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Format: | Article |
Language: | English |
Published: |
Mardin Artuklu University
2024-12-01
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Series: | ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi |
Online Access: | https://dergipark.org.tr/tr/doi/10.46372/arts.1549285 |
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