« One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux

What do piers stand for and wherein lies their power of attraction? Drawing both on a work of fiction, Last Orders by Graham Swift, and on a travel narrative, the Kingdom by the Sea by Paul Theroux, we trace back the history of British piers, their peculiar location by the sea and their paradoxical...

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Main Author: Claire LARSONNEUR
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2016-12-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/5511
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author Claire LARSONNEUR
author_facet Claire LARSONNEUR
author_sort Claire LARSONNEUR
collection DOAJ
description What do piers stand for and wherein lies their power of attraction? Drawing both on a work of fiction, Last Orders by Graham Swift, and on a travel narrative, the Kingdom by the Sea by Paul Theroux, we trace back the history of British piers, their peculiar location by the sea and their paradoxical nature. Piers seem to indicate the threshold of a journey, fantasized yet cut short. Swift and Theroux’s masterful reworking of the theme of piers, replete with intertextual references, open to subtle variations of the gaze and rooted in a precise use of language (notably prepositions) attest to their power on British imagination.
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institution Kabale University
issn 1638-1718
language English
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publisher Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
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series E-REA
spelling doaj-art-288a1dba72be4b358ea879fbd55baac92025-01-09T12:53:47ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182016-12-0114110.4000/erea.5511« One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul TherouxClaire LARSONNEURWhat do piers stand for and wherein lies their power of attraction? Drawing both on a work of fiction, Last Orders by Graham Swift, and on a travel narrative, the Kingdom by the Sea by Paul Theroux, we trace back the history of British piers, their peculiar location by the sea and their paradoxical nature. Piers seem to indicate the threshold of a journey, fantasized yet cut short. Swift and Theroux’s masterful reworking of the theme of piers, replete with intertextual references, open to subtle variations of the gaze and rooted in a precise use of language (notably prepositions) attest to their power on British imagination.https://journals.openedition.org/erea/5511intertextualityLast OrdersGraham SwiftPaul Therouxpiermusings
spellingShingle Claire LARSONNEUR
« One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux
E-REA
intertextuality
Last Orders
Graham Swift
Paul Theroux
pier
musings
title « One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux
title_full « One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux
title_fullStr « One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux
title_full_unstemmed « One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux
title_short « One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux
title_sort one foot in sea and one on shore le ponton et la traversee chez graham swift et paul theroux
topic intertextuality
Last Orders
Graham Swift
Paul Theroux
pier
musings
url https://journals.openedition.org/erea/5511
work_keys_str_mv AT clairelarsonneur onefootinseaandoneonshorelepontonetlatraverseechezgrahamswiftetpaultheroux