Animals, Mimesis, and the Origin of Language
This essay takes a pivotal scene in Richard Wagner’s opera Siegfried, in which the eponymous hero attempts to communicate with a forest bird by imitating its song, as a point of departure for an exploration of Enlightenment theories of the origin of language, specifically those of Rousseau and Herde...
Saved in:
Main Author: | Kári Driscoll |
---|---|
Format: | Article |
Language: | deu |
Published: |
Presses universitaires de Strasbourg
2015-07-01
|
Series: | Recherches Germaniques |
Online Access: | https://journals.openedition.org/rg/879 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The Power of Mimesis and the Mimesis of Power in the Production of Subjectivity
by: A. S. Kondakova
Published: (2024-12-01) -
Plato’s Theory of Mimesis in the Cratylus: from Ideal Language to Ordinary Language
by: Liangxin Sun
Published: (2024-10-01) -
‘My Language! Heavens!’: Strange Tongues and the Denial of Mimesis in The Tempest
by: Claire Guéron
Published: (2008-03-01) -
Rediviser la mimesis
by: Roger Chazal
Published: (2006-10-01) -
Flaubert et la “mimesis” scénarique
by: Jacques Neefs
Published: (2018-12-01)