Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)

Cecil B. DeMille, the legendary cofounder of Hollywood, progenitor of Paramount studio, and unsung Christian auteur was a master of the American biblical epic whose indelible classics became the template for numerous ancient epics thereafter. Utilising humanist film criticism as the guiding analytic...

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Main Author: Anton Karl Kozlovic
Format: Article
Language:English
Published: European Association for American Studies 2008-11-01
Series:European Journal of American Studies
Online Access:https://journals.openedition.org/ejas/3363
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author Anton Karl Kozlovic
author_facet Anton Karl Kozlovic
author_sort Anton Karl Kozlovic
collection DOAJ
description Cecil B. DeMille, the legendary cofounder of Hollywood, progenitor of Paramount studio, and unsung Christian auteur was a master of the American biblical epic whose indelible classics became the template for numerous ancient epics thereafter. Utilising humanist film criticism as the guiding analytical lens, the critical DeMille, film and religion literature was selectively reviewed and his silent Jesus film, The King of Kings (1927) was closely examined to reveal his dramatic construction of Judas Iscariot, which was briefly compared to some cinematic rivals to highlight its frequent superiority. Often unappreciated was DeMille’s harmonisation of the conflicting hanging versus disembowelment accounts of Judas’ demise. It was concluded that DeMille was a defter biblical filmmaker than has been hitherto appreciated. Further research into DeMille studies, Hollywood epics, and the emerging interdisciplinary field of religion-and-film is recommended, warranted, and already long overdue.
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spelling doaj-art-28225681376c4153a3db9aef6d4509742025-01-06T09:10:32ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362008-11-013310.4000/ejas.3363Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)Anton Karl KozlovicCecil B. DeMille, the legendary cofounder of Hollywood, progenitor of Paramount studio, and unsung Christian auteur was a master of the American biblical epic whose indelible classics became the template for numerous ancient epics thereafter. Utilising humanist film criticism as the guiding analytical lens, the critical DeMille, film and religion literature was selectively reviewed and his silent Jesus film, The King of Kings (1927) was closely examined to reveal his dramatic construction of Judas Iscariot, which was briefly compared to some cinematic rivals to highlight its frequent superiority. Often unappreciated was DeMille’s harmonisation of the conflicting hanging versus disembowelment accounts of Judas’ demise. It was concluded that DeMille was a defter biblical filmmaker than has been hitherto appreciated. Further research into DeMille studies, Hollywood epics, and the emerging interdisciplinary field of religion-and-film is recommended, warranted, and already long overdue.https://journals.openedition.org/ejas/3363
spellingShingle Anton Karl Kozlovic
Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)
European Journal of American Studies
title Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)
title_full Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)
title_fullStr Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)
title_full_unstemmed Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)
title_short Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927)
title_sort judas iscariot the archetypal betrayer and demille s cine biblical salvation within the king of kings 1927
url https://journals.openedition.org/ejas/3363
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