The Disnarrated and Denarrated in Eugene O’Neill’s The Iceman Cometh
Drawing on the notions of “disnarration” (telling what did/does not occur) and “denarration” (cancelling or negating what has occurred) as theorized by, respectively, Gerald Prince and Brian Richardson, this paper examines the narrative structure of Eugene O’Neill’s The Iceman Cometh (1939). We focu...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Lodz University Press
2024-11-01
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| Series: | Text Matters |
| Subjects: | |
| Online Access: | https://czasopisma.uni.lodz.pl/textmatters/article/view/24217 |
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