Musique et référentialité sur les titres des disques Blue Note
The titles on the jackets of the records of the label Blue Note can denote the musical content of the album (Boogie-Woogie Classics), connote it (Blue Hour), or function strictly as indexes (Speak No Evil). Whatever their exact value might be, those titles make it possible to revisit a problem frequ...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2011-12-01
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| Series: | Cahiers de Narratologie |
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| Online Access: | https://journals.openedition.org/narratologie/6420 |
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| _version_ | 1846134428578873344 |
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| author | Philippe Carrard |
| author_facet | Philippe Carrard |
| author_sort | Philippe Carrard |
| collection | DOAJ |
| description | The titles on the jackets of the records of the label Blue Note can denote the musical content of the album (Boogie-Woogie Classics), connote it (Blue Hour), or function strictly as indexes (Speak No Evil). Whatever their exact value might be, those titles make it possible to revisit a problem frequently raised in semiotics and musicology: the problem of knowing whether music « refers », and to what exactly. The question is especially acute in the case of some of the records released by Blue Note in the1960s, whose titles (It’s Time, Right Now, Let Freedom Ring) may refer to musical structures or to the situation of African-Americans in American sociey, which have both to be changed in the sense of more freedom. |
| format | Article |
| id | doaj-art-202d363556a143c1a474e79b3bfe1f2d |
| institution | Kabale University |
| issn | 0993-8516 1765-307X |
| language | fra |
| publishDate | 2011-12-01 |
| publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| record_format | Article |
| series | Cahiers de Narratologie |
| spelling | doaj-art-202d363556a143c1a474e79b3bfe1f2d2024-12-09T13:16:00ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2011-12-012110.4000/narratologie.6420Musique et référentialité sur les titres des disques Blue NotePhilippe CarrardThe titles on the jackets of the records of the label Blue Note can denote the musical content of the album (Boogie-Woogie Classics), connote it (Blue Hour), or function strictly as indexes (Speak No Evil). Whatever their exact value might be, those titles make it possible to revisit a problem frequently raised in semiotics and musicology: the problem of knowing whether music « refers », and to what exactly. The question is especially acute in the case of some of the records released by Blue Note in the1960s, whose titles (It’s Time, Right Now, Let Freedom Ring) may refer to musical structures or to the situation of African-Americans in American sociey, which have both to be changed in the sense of more freedom.https://journals.openedition.org/narratologie/6420poétiqueparatextetitrepochettedénotatifconnotatif |
| spellingShingle | Philippe Carrard Musique et référentialité sur les titres des disques Blue Note Cahiers de Narratologie poétique paratexte titre pochette dénotatif connotatif |
| title | Musique et référentialité sur les titres des disques Blue Note |
| title_full | Musique et référentialité sur les titres des disques Blue Note |
| title_fullStr | Musique et référentialité sur les titres des disques Blue Note |
| title_full_unstemmed | Musique et référentialité sur les titres des disques Blue Note |
| title_short | Musique et référentialité sur les titres des disques Blue Note |
| title_sort | musique et referentialite sur les titres des disques blue note |
| topic | poétique paratexte titre pochette dénotatif connotatif |
| url | https://journals.openedition.org/narratologie/6420 |
| work_keys_str_mv | AT philippecarrard musiqueetreferentialitesurlestitresdesdisquesbluenote |