Misremembering Ciceronian Rome in Ben Jonson’s Catiline

Ben Jonson’s 1611 Catiline His Conspiracy draws closely on classical sources for the events of the conspiracy and Cicero’s reaction to it. And yet, this essay argues, Jonson’s play twists what his contemporaries would have known about late Republican Rome by putting these familiar events in a differ...

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Main Author: Philip Goldfarb Styrt
Format: Article
Language:English
Published: Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles 2024-12-01
Series:XVII-XVIII
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Online Access:https://journals.openedition.org/1718/13086
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author Philip Goldfarb Styrt
author_facet Philip Goldfarb Styrt
author_sort Philip Goldfarb Styrt
collection DOAJ
description Ben Jonson’s 1611 Catiline His Conspiracy draws closely on classical sources for the events of the conspiracy and Cicero’s reaction to it. And yet, this essay argues, Jonson’s play twists what his contemporaries would have known about late Republican Rome by putting these familiar events in a different political context. By centralizing Rome around a single powerful figure (Cicero), both practically and rhetorically, Jonson’s Cicero is a forerunner of Renaissance monarchy, rather than remaining rooted in the contemporary factional conflicts that both Roman and early modern historians saw as central to his time. In portraying him this way, I argue, the play uses its Rome, and particularly its Cicero and Catiline, to comment on then-contemporary concerns about the efficacy and usefulness of empire. Jonson’s portrayal of Ciceronian Rome thus serves as a case study of how the process of remembering the past is not politically neutral, but always actively in use by the present.
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spelling doaj-art-1fa652dc91db460c95fc11a6bdddb51a2025-01-10T14:08:57ZengSociété d'Etudes Anglo-Américaines des XVIIe et XVIIIe sièclesXVII-XVIII0291-37982117-590X2024-12-018110.4000/130q3Misremembering Ciceronian Rome in Ben Jonson’s CatilinePhilip Goldfarb StyrtBen Jonson’s 1611 Catiline His Conspiracy draws closely on classical sources for the events of the conspiracy and Cicero’s reaction to it. And yet, this essay argues, Jonson’s play twists what his contemporaries would have known about late Republican Rome by putting these familiar events in a different political context. By centralizing Rome around a single powerful figure (Cicero), both practically and rhetorically, Jonson’s Cicero is a forerunner of Renaissance monarchy, rather than remaining rooted in the contemporary factional conflicts that both Roman and early modern historians saw as central to his time. In portraying him this way, I argue, the play uses its Rome, and particularly its Cicero and Catiline, to comment on then-contemporary concerns about the efficacy and usefulness of empire. Jonson’s portrayal of Ciceronian Rome thus serves as a case study of how the process of remembering the past is not politically neutral, but always actively in use by the present.https://journals.openedition.org/1718/13086Ben JonsonCatiline His Conspiracyhistory
spellingShingle Philip Goldfarb Styrt
Misremembering Ciceronian Rome in Ben Jonson’s Catiline
XVII-XVIII
Ben Jonson
Catiline His Conspiracy
history
title Misremembering Ciceronian Rome in Ben Jonson’s Catiline
title_full Misremembering Ciceronian Rome in Ben Jonson’s Catiline
title_fullStr Misremembering Ciceronian Rome in Ben Jonson’s Catiline
title_full_unstemmed Misremembering Ciceronian Rome in Ben Jonson’s Catiline
title_short Misremembering Ciceronian Rome in Ben Jonson’s Catiline
title_sort misremembering ciceronian rome in ben jonson s catiline
topic Ben Jonson
Catiline His Conspiracy
history
url https://journals.openedition.org/1718/13086
work_keys_str_mv AT philipgoldfarbstyrt misrememberingciceronianromeinbenjonsonscatiline