Du corps de l'acteur a la parole résurrectionnelle
The theatrical work of Valere Novarina is a language that turns you upside down. Plural and jubilant, his art of writing operates as a real craft of the unheard of "the organ of language [that] is the hand." An equilibrium favoring the efficiency of a poetics of the indeterminate, which is...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2018-05-01
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| Series: | Carnets |
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| Online Access: | https://journals.openedition.org/carnets/2619 |
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| _version_ | 1846133434956644352 |
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| author | Alexandra Gaudechaux |
| author_facet | Alexandra Gaudechaux |
| author_sort | Alexandra Gaudechaux |
| collection | DOAJ |
| description | The theatrical work of Valere Novarina is a language that turns you upside down. Plural and jubilant, his art of writing operates as a real craft of the unheard of "the organ of language [that] is the hand." An equilibrium favoring the efficiency of a poetics of the indeterminate, which is related to the phenomenal fruitfulness of the Word as initiated by the theologians of the Middle Ages. A word that can also be related to valery - the language so "difficult" that the poet himself ignores learning - and Hebrew writing, which have in common to offer his reader "empty" to fill, [gaps] to fill for the sound as for the sense ", the whole working to the transfiguration of" deficiencies "of the language in" riches of the poem ". The Novarin language springs up and revives like a fluid acting the actors' bodies in infinite reconfigurations of the human figure. We propose here to observe some passages. |
| format | Article |
| id | doaj-art-1ecec9a8fc3b4368931dae42af2297a5 |
| institution | Kabale University |
| issn | 1646-7698 |
| language | English |
| publishDate | 2018-05-01 |
| publisher | Association Portugaise d'Etudes Françaises |
| record_format | Article |
| series | Carnets |
| spelling | doaj-art-1ecec9a8fc3b4368931dae42af2297a52024-12-09T13:42:37ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982018-05-011310.4000/carnets.2619Du corps de l'acteur a la parole résurrectionnelleAlexandra GaudechauxThe theatrical work of Valere Novarina is a language that turns you upside down. Plural and jubilant, his art of writing operates as a real craft of the unheard of "the organ of language [that] is the hand." An equilibrium favoring the efficiency of a poetics of the indeterminate, which is related to the phenomenal fruitfulness of the Word as initiated by the theologians of the Middle Ages. A word that can also be related to valery - the language so "difficult" that the poet himself ignores learning - and Hebrew writing, which have in common to offer his reader "empty" to fill, [gaps] to fill for the sound as for the sense ", the whole working to the transfiguration of" deficiencies "of the language in" riches of the poem ". The Novarin language springs up and revives like a fluid acting the actors' bodies in infinite reconfigurations of the human figure. We propose here to observe some passages.https://journals.openedition.org/carnets/2619Novarina (Valère)dramatic writingactor's bodytheatrical receptionmedieval theology |
| spellingShingle | Alexandra Gaudechaux Du corps de l'acteur a la parole résurrectionnelle Carnets Novarina (Valère) dramatic writing actor's body theatrical reception medieval theology |
| title | Du corps de l'acteur a la parole résurrectionnelle |
| title_full | Du corps de l'acteur a la parole résurrectionnelle |
| title_fullStr | Du corps de l'acteur a la parole résurrectionnelle |
| title_full_unstemmed | Du corps de l'acteur a la parole résurrectionnelle |
| title_short | Du corps de l'acteur a la parole résurrectionnelle |
| title_sort | du corps de l acteur a la parole resurrectionnelle |
| topic | Novarina (Valère) dramatic writing actor's body theatrical reception medieval theology |
| url | https://journals.openedition.org/carnets/2619 |
| work_keys_str_mv | AT alexandragaudechaux ducorpsdelacteuralaparoleresurrectionnelle |