Hamlet à l’épreuve des librettistes
An opera libretto cannot be expected to reproduce the exact text of the literary or dramatic work on which it is based. The so-called “weaknesses” of the libretti may be accounted for by the fact that they are meant to be set to music. In some rare cases, where the libretto uses part of the original...
Saved in:
Main Author: | Francis Guinle |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2011-12-01
|
Series: | Revue LISA |
Subjects: | |
Online Access: | https://journals.openedition.org/lisa/4719 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
L’Amleto d’Arrigo Boito : deux versions énigmatiques avec Ducis et Dumas en dialogue
by: Costantino Maeder
Published: (2013-04-01) -
Compositeur-librettiste : choix ou nécessité ?
by: Aude Ameille
Published: (2014-10-01) -
« Hamlet et le texte freudien : phénoménologie de l’interprétation »
by: Patrick Di Mascio
Published: (2000-06-01) -
L’Opéra-Comique, 1945-1970 : de nouveaux opéras et leurs livrets ou de l’audace exogène
by: Frank Langlois
Published: (2014-10-01) -
L’opéra, miroir des sociétés européennes
by: Clémence Schupp
Published: (2016-06-01)