Salvaging a cultural identity through reintegration
The following article owes much to the master’s thesis on “The Restoration of the pulpit in the church of San Leonardo in Arcetri”, which deals with an outstanding work of Florentine Romanesque art. The remaining architectural elements of the pulpit, dismantled in the sixteenth century, were reassem...
Saved in:
Main Author: | Marta Gomez Ubierna |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2010-11-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/1804 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
“She Loves Nothing but Her Art”: Vibrant Marble and the Agency of the Female Artist in Louisa May Alcott’s “A Marble Woman, or The Mysterious Model”
by: Verena Laschinger, et al.
Published: (2022-10-01) -
Effects of marble waste on shear strength and pullout resistance of sand reinforced with Glass Fiber-Reinforced Polymer (GFRP) bars
by: Shabir Hussain, et al.
Published: (2025-07-01) -
Conservation concept for the treatment of biologically induced encrustations and formation of tufa
by: Martina Haselberger
Published: (2016-03-01) -
La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
by: VICENT DEBIAIS
Published: (2024-11-01) -
Les villae gallo-romaines dans le territoire proche d’Augustonemetum – Clermont-Ferrand
by: Bertrand Dousteyssier, et al.
Published: (2005-03-01)