A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad

The article analyses Margaret Atwood’s reinterpretation of the Ithacan queen, Penelope, the wife of Odysseus, taking into consideration the silence-voice interplay between the original female character and her postmodernist re-representation, Penelope 2.0, the protagonist of The Penelopiad. In the C...

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Main Author: Petruş Raluca-Andreea
Format: Article
Language:English
Published: Sciendo 2024-12-01
Series:Romanian Journal of English Studies
Subjects:
Online Access:https://doi.org/10.2478/rjes-2024-0008
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author Petruş Raluca-Andreea
author_facet Petruş Raluca-Andreea
author_sort Petruş Raluca-Andreea
collection DOAJ
description The article analyses Margaret Atwood’s reinterpretation of the Ithacan queen, Penelope, the wife of Odysseus, taking into consideration the silence-voice interplay between the original female character and her postmodernist re-representation, Penelope 2.0, the protagonist of The Penelopiad. In the Canadian writer’s novel, Penelope’s voice gets empowered through narrative means. Her voice reaches its peak or highest degree of expression in Atwood’s The Penelopiad, namely due to its main character and narrator, Penelope 2.0. Considering that a female first-person narrator elaborates the novel’s narrative, the article demonstrates how Penelope 2.0 expresses her feelings and thoughts regarding a series of events which occurred in the original text of The Odyssey, events which she elucidates by offering direct, well-developed insight, without any constraints.
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spelling doaj-art-19a2efca128749ca8a54fa1a71a9b2c02025-01-02T06:06:00ZengSciendoRomanian Journal of English Studies2286-04282024-12-01211899710.2478/rjes-2024-0008A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The PenelopiadPetruş Raluca-Andreea0West University of TimișoaraThe article analyses Margaret Atwood’s reinterpretation of the Ithacan queen, Penelope, the wife of Odysseus, taking into consideration the silence-voice interplay between the original female character and her postmodernist re-representation, Penelope 2.0, the protagonist of The Penelopiad. In the Canadian writer’s novel, Penelope’s voice gets empowered through narrative means. Her voice reaches its peak or highest degree of expression in Atwood’s The Penelopiad, namely due to its main character and narrator, Penelope 2.0. Considering that a female first-person narrator elaborates the novel’s narrative, the article demonstrates how Penelope 2.0 expresses her feelings and thoughts regarding a series of events which occurred in the original text of The Odyssey, events which she elucidates by offering direct, well-developed insight, without any constraints.https://doi.org/10.2478/rjes-2024-0008atwoodrewritingpostmodernismthe odysseythe penelopiad.
spellingShingle Petruş Raluca-Andreea
A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad
Romanian Journal of English Studies
atwood
rewriting
postmodernism
the odyssey
the penelopiad.
title A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad
title_full A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad
title_fullStr A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad
title_full_unstemmed A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad
title_short A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad
title_sort postmodernist rewriting of homer s penelope margaret atwood s the penelopiad
topic atwood
rewriting
postmodernism
the odyssey
the penelopiad.
url https://doi.org/10.2478/rjes-2024-0008
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