Les paons affrontés dans l’art lombard des viii e‑ix e siècles
In the ecclesial space, the chancel clearly separates the nave from the choir, marking a boundary between the clergy and the faithful. The image of the peacocks facing each other on several Lombard chancels between the 8th and 9th centuries offers us a precious source of reflection on the close link...
Saved in:
Main Author: | Raphaël Demès |
---|---|
Format: | Article |
Language: | English |
Published: |
Université Lumière Lyon 2
2020-12-01
|
Series: | Frontière·s |
Online Access: | https://journals.openedition.org/frontieres/376 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Autour du paon et du phénix. Étude d’une iconographie cultuelle et funéraire dans le Bassin méditerranéen (ive-xiie siècles)
by: Raphaël Demès
Published: (2019-01-01) -
Entre le griffon et le monstre marin, entre le kētos et le sēnmurv. Réflexions sur les créatures hybrides du chancel de Santa Maria Assunta d’Aquilée (ix e siècle)
by: Raphaël Demès
Published: (2023-06-01) -
Entretien avec Jérôme Lombard
by: Olivier Ninot
Published: (2008-02-01) -
Lacerations to Zones VIII and IX: It Is Not Just a Tendon Injury
by: Charla R. Fischer, et al.
Published: (2011-01-01) -
Musulmans et non musulmans dans la Salonique ottomane (xviiie siècle).L’affrontement sur les espaces et les lignes de démarcation
by: Eyal Ginio
Published: (2005-09-01)