Time of Rome: Topography of Eternity
On September 10, 2024, the Pushkin State Museum of Fine Arts (Moscow) hosted a presentation of the Catalog of the large-scale exhibition Three Times of Rome. Antiquity. Renaissance. Baroque. Within its framework, a fascinating discussion unfolded, summing up the results of this exhibition project. T...
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| Format: | Article |
| Language: | English |
| Published: |
State Institute for Art Studies
2024-12-01
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| Series: | Художественная культура |
| Subjects: | |
| Online Access: | https://artculturestudies.sias.ru/upload/iblock/116/yvwz8pecjlwwr0sqkx46zp3orwp9ogvm/hk_2024_4_798.pdf |
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| Summary: | On September 10, 2024, the Pushkin State Museum of Fine Arts (Moscow) hosted a presentation of the Catalog of the large-scale exhibition Three Times of Rome. Antiquity. Renaissance. Baroque. Within its framework, a fascinating discussion unfolded, summing up the results of this exhibition project. The exposition, almost entirely based on Roman view engravings of the 16th – 18th centuries — a refined and exclusive material, — unexpectedly aroused wide interest, gathering a record number of visitors for the holiday season. The article makes an attempt to analyze the reasons for its popularity, as well as to summarize the issues raised by it. |
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| ISSN: | 2226-0072 |