Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital Age

The conclusion of Twin Peaks’ third season (also known as Twin Peaks: The Return) marks a pivotal moment for investigating contemporary television narratives through a negative or apophatic aesthetic lens, inspired by theological concepts of denial and mysticism. This study explores how modern digi...

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Main Author: Ivan Pintor Iranzo
Format: Article
Language:English
Published: SHARE Press 2024-12-01
Series:Funes
Online Access:https://serena.atcult.it/index.php/funes/article/view/10855
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author Ivan Pintor Iranzo
author_facet Ivan Pintor Iranzo
author_sort Ivan Pintor Iranzo
collection DOAJ
description The conclusion of Twin Peaks’ third season (also known as Twin Peaks: The Return) marks a pivotal moment for investigating contemporary television narratives through a negative or apophatic aesthetic lens, inspired by theological concepts of denial and mysticism. This study explores how modern digital serial storytelling embodies themes of negativity, drawing on a hermeneutic methodology informed by iconographic analysis and post-Heideggerian philosophy, particularly referencing Giorgio Agamben. By integrating insights from diverse artistic disciplines such as plastic arts, dance, and religious mysticism, the analysis deepens our understanding of narrative constructions in series like Twin Peaks: The Return, and True Detective. This interdisciplinary approach illuminates television’s engagement with apophatic aesthetics and invites critical reflection on the intersection of digital seriality, theological discourse, and artistic expression within contemporary media culture.
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spelling doaj-art-14e41c1627a54e419e0308936a6ee5a12024-12-21T20:50:51ZengSHARE PressFunes2532-67322024-12-017210.6093/2532-6732/10855Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital AgeIvan Pintor Iranzo0Universitat Pompeu Fabra Barcelona The conclusion of Twin Peaks’ third season (also known as Twin Peaks: The Return) marks a pivotal moment for investigating contemporary television narratives through a negative or apophatic aesthetic lens, inspired by theological concepts of denial and mysticism. This study explores how modern digital serial storytelling embodies themes of negativity, drawing on a hermeneutic methodology informed by iconographic analysis and post-Heideggerian philosophy, particularly referencing Giorgio Agamben. By integrating insights from diverse artistic disciplines such as plastic arts, dance, and religious mysticism, the analysis deepens our understanding of narrative constructions in series like Twin Peaks: The Return, and True Detective. This interdisciplinary approach illuminates television’s engagement with apophatic aesthetics and invites critical reflection on the intersection of digital seriality, theological discourse, and artistic expression within contemporary media culture. https://serena.atcult.it/index.php/funes/article/view/10855
spellingShingle Ivan Pintor Iranzo
Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital Age
Funes
title Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital Age
title_full Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital Age
title_fullStr Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital Age
title_full_unstemmed Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital Age
title_short Counterimages of TV Fiction: Towards an Apophatic Aesthetic of Contemporary Seriality in the Digital Age
title_sort counterimages of tv fiction towards an apophatic aesthetic of contemporary seriality in the digital age
url https://serena.atcult.it/index.php/funes/article/view/10855
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