Puntuación y ruido en la poesía política de los noventa
Our proposition is to read a certain moment of Chilean and Argentine poetry, specifically through the notion of political dictum. We will address what we consider an extreme modulation, focusing on Martin Gambarotta’s (Buenos Aires, 1968) Punctum and Yanko González Cangas’s (Buin, Chile, 1971) Metal...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2021-12-01
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| Series: | Cuadernos LIRICO |
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| Online Access: | https://journals.openedition.org/lirico/11245 |
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| author | Ana Porrúa |
| author_facet | Ana Porrúa |
| author_sort | Ana Porrúa |
| collection | DOAJ |
| description | Our proposition is to read a certain moment of Chilean and Argentine poetry, specifically through the notion of political dictum. We will address what we consider an extreme modulation, focusing on Martin Gambarotta’s (Buenos Aires, 1968) Punctum and Yanko González Cangas’s (Buin, Chile, 1971) Metales Pesados (Heavy Metals). We will read these books as optical and acoustic scenes, as “little machines” from which new forms of the sensible (Rancière 2009, 2013) can be analyzed, that is to say, as new distributions of the space, the status of the word and the nature of the gaze in the context of political poetry, as well as in relation to some turning points in Latin American poetry. |
| format | Article |
| id | doaj-art-14b6d1a62e61495f9d4e44b2a3d510d7 |
| institution | Kabale University |
| issn | 2262-8339 |
| language | Spanish |
| publishDate | 2021-12-01 |
| publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| record_format | Article |
| series | Cuadernos LIRICO |
| spelling | doaj-art-14b6d1a62e61495f9d4e44b2a3d510d72025-01-10T13:07:42ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392021-12-012310.4000/lirico.11245Puntuación y ruido en la poesía política de los noventaAna PorrúaOur proposition is to read a certain moment of Chilean and Argentine poetry, specifically through the notion of political dictum. We will address what we consider an extreme modulation, focusing on Martin Gambarotta’s (Buenos Aires, 1968) Punctum and Yanko González Cangas’s (Buin, Chile, 1971) Metales Pesados (Heavy Metals). We will read these books as optical and acoustic scenes, as “little machines” from which new forms of the sensible (Rancière 2009, 2013) can be analyzed, that is to say, as new distributions of the space, the status of the word and the nature of the gaze in the context of political poetry, as well as in relation to some turning points in Latin American poetry.https://journals.openedition.org/lirico/11245Political poetryHearingLookingPunctuation |
| spellingShingle | Ana Porrúa Puntuación y ruido en la poesía política de los noventa Cuadernos LIRICO Political poetry Hearing Looking Punctuation |
| title | Puntuación y ruido en la poesía política de los noventa |
| title_full | Puntuación y ruido en la poesía política de los noventa |
| title_fullStr | Puntuación y ruido en la poesía política de los noventa |
| title_full_unstemmed | Puntuación y ruido en la poesía política de los noventa |
| title_short | Puntuación y ruido en la poesía política de los noventa |
| title_sort | puntuacion y ruido en la poesia politica de los noventa |
| topic | Political poetry Hearing Looking Punctuation |
| url | https://journals.openedition.org/lirico/11245 |
| work_keys_str_mv | AT anaporrua puntuacionyruidoenlapoesiapoliticadelosnoventa |