Puntuación y ruido en la poesía política de los noventa
Our proposition is to read a certain moment of Chilean and Argentine poetry, specifically through the notion of political dictum. We will address what we consider an extreme modulation, focusing on Martin Gambarotta’s (Buenos Aires, 1968) Punctum and Yanko González Cangas’s (Buin, Chile, 1971) Metal...
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| Format: | Article |
| Language: | Spanish |
| Published: |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2021-12-01
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| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/11245 |
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| Summary: | Our proposition is to read a certain moment of Chilean and Argentine poetry, specifically through the notion of political dictum. We will address what we consider an extreme modulation, focusing on Martin Gambarotta’s (Buenos Aires, 1968) Punctum and Yanko González Cangas’s (Buin, Chile, 1971) Metales Pesados (Heavy Metals). We will read these books as optical and acoustic scenes, as “little machines” from which new forms of the sensible (Rancière 2009, 2013) can be analyzed, that is to say, as new distributions of the space, the status of the word and the nature of the gaze in the context of political poetry, as well as in relation to some turning points in Latin American poetry. |
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| ISSN: | 2262-8339 |