Gestes et formes esthétiques désobéissants.
Initiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19...
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| Format: | Article |
| Language: | English |
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TELEMME - UMR 6570
2024-04-01
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| Series: | Amnis |
| Subjects: | |
| Online Access: | https://journals.openedition.org/amnis/8775 |
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| Summary: | Initiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19 pandemic. One of the singular features of this social mobilization is the diversity and recurrence of the gestures and interventions implemented in public space, sharing certain characteristics of so-called acts of civil disobedience and drawing on aesthetic and artistic resources: from iconoclastic gestures implemented on statues and monuments, to performances organized by various feminist collectives, to light projections by the Delight Lab collective. Heterogeneous in their forms, protagonists and functions – critical, prospective or interpellative – these interventions contributed to the spectacularization and mediatization of the social movement, feeding the dissensus from which it proceeded. |
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| ISSN: | 1764-7193 |