¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à Lima

The crisis in Peru can be considered as a structural element, a real backdrop for political, economic, social and environmental stages. Through the day-to-day speeches and practices of an independent artistic stage in Lima, we aim at understanding the resorts employed by artists  in order to develop...

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Main Author: Lucie Miramont
Format: Article
Language:Spanish
Published: Presses universitaires du Midi 2021-12-01
Series:Caravelle
Subjects:
Online Access:https://journals.openedition.org/caravelle/11599
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author Lucie Miramont
author_facet Lucie Miramont
author_sort Lucie Miramont
collection DOAJ
description The crisis in Peru can be considered as a structural element, a real backdrop for political, economic, social and environmental stages. Through the day-to-day speeches and practices of an independent artistic stage in Lima, we aim at understanding the resorts employed by artists  in order to develop their activity while maintaining their image of protesters and anti- establishment crowd. Between underground economy, self-management, identity-driven positioning and mass rejection of the political class, the dynamic that rules this stage appears in their verses and often between the lines.
format Article
id doaj-art-13201e74bee14df09d7df2c349cec78b
institution Kabale University
issn 1147-6753
2272-9828
language Spanish
publishDate 2021-12-01
publisher Presses universitaires du Midi
record_format Article
series Caravelle
spelling doaj-art-13201e74bee14df09d7df2c349cec78b2025-01-09T16:14:13ZspaPresses universitaires du MidiCaravelle1147-67532272-98282021-12-0111712414010.4000/caravelle.11599¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à LimaLucie MiramontThe crisis in Peru can be considered as a structural element, a real backdrop for political, economic, social and environmental stages. Through the day-to-day speeches and practices of an independent artistic stage in Lima, we aim at understanding the resorts employed by artists  in order to develop their activity while maintaining their image of protesters and anti- establishment crowd. Between underground economy, self-management, identity-driven positioning and mass rejection of the political class, the dynamic that rules this stage appears in their verses and often between the lines.https://journals.openedition.org/caravelle/11599ChichaGráfica popularNeoliberalismCrisisLima’s independent stage
spellingShingle Lucie Miramont
¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à Lima
Caravelle
Chicha
Gráfica popular
Neoliberalism
Crisis
Lima’s independent stage
title ¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à Lima
title_full ¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à Lima
title_fullStr ¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à Lima
title_full_unstemmed ¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à Lima
title_short ¡ Esos no son faite!  – Esprit rebelle en crise et transformations d’une scène artistique à Lima
title_sort esos no son faite esprit rebelle en crise et transformations d une scene artistique a lima
topic Chicha
Gráfica popular
Neoliberalism
Crisis
Lima’s independent stage
url https://journals.openedition.org/caravelle/11599
work_keys_str_mv AT luciemiramont esosnosonfaiteespritrebelleencriseettransformationsdunesceneartistiquealima