¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à Lima
The crisis in Peru can be considered as a structural element, a real backdrop for political, economic, social and environmental stages. Through the day-to-day speeches and practices of an independent artistic stage in Lima, we aim at understanding the resorts employed by artists in order to develop...
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Format: | Article |
Language: | Spanish |
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Presses universitaires du Midi
2021-12-01
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Series: | Caravelle |
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Online Access: | https://journals.openedition.org/caravelle/11599 |
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author | Lucie Miramont |
author_facet | Lucie Miramont |
author_sort | Lucie Miramont |
collection | DOAJ |
description | The crisis in Peru can be considered as a structural element, a real backdrop for political, economic, social and environmental stages. Through the day-to-day speeches and practices of an independent artistic stage in Lima, we aim at understanding the resorts employed by artists in order to develop their activity while maintaining their image of protesters and anti- establishment crowd. Between underground economy, self-management, identity-driven positioning and mass rejection of the political class, the dynamic that rules this stage appears in their verses and often between the lines. |
format | Article |
id | doaj-art-13201e74bee14df09d7df2c349cec78b |
institution | Kabale University |
issn | 1147-6753 2272-9828 |
language | Spanish |
publishDate | 2021-12-01 |
publisher | Presses universitaires du Midi |
record_format | Article |
series | Caravelle |
spelling | doaj-art-13201e74bee14df09d7df2c349cec78b2025-01-09T16:14:13ZspaPresses universitaires du MidiCaravelle1147-67532272-98282021-12-0111712414010.4000/caravelle.11599¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à LimaLucie MiramontThe crisis in Peru can be considered as a structural element, a real backdrop for political, economic, social and environmental stages. Through the day-to-day speeches and practices of an independent artistic stage in Lima, we aim at understanding the resorts employed by artists in order to develop their activity while maintaining their image of protesters and anti- establishment crowd. Between underground economy, self-management, identity-driven positioning and mass rejection of the political class, the dynamic that rules this stage appears in their verses and often between the lines.https://journals.openedition.org/caravelle/11599ChichaGráfica popularNeoliberalismCrisisLima’s independent stage |
spellingShingle | Lucie Miramont ¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à Lima Caravelle Chicha Gráfica popular Neoliberalism Crisis Lima’s independent stage |
title | ¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à Lima |
title_full | ¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à Lima |
title_fullStr | ¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à Lima |
title_full_unstemmed | ¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à Lima |
title_short | ¡ Esos no son faite! – Esprit rebelle en crise et transformations d’une scène artistique à Lima |
title_sort | esos no son faite esprit rebelle en crise et transformations d une scene artistique a lima |
topic | Chicha Gráfica popular Neoliberalism Crisis Lima’s independent stage |
url | https://journals.openedition.org/caravelle/11599 |
work_keys_str_mv | AT luciemiramont esosnosonfaiteespritrebelleencriseettransformationsdunesceneartistiquealima |