De la performance à la reconnaissance

Chelsea (Bradley) Manning’s trans identity stems from a gender production that can only partially be explained by the performance analytics underpinning the dramaturgical theories of Judith Butler and Harold Garfinkel. Manning’s particular relationship with visibility as a public figure predicates t...

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Bibliographic Details
Main Author: Fabienne Malbois
Format: Article
Language:fra
Published: Université Laval 2018-02-01
Series:Communication
Subjects:
Online Access:https://journals.openedition.org/communication/7595
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