De la performance à la reconnaissance
Chelsea (Bradley) Manning’s trans identity stems from a gender production that can only partially be explained by the performance analytics underpinning the dramaturgical theories of Judith Butler and Harold Garfinkel. Manning’s particular relationship with visibility as a public figure predicates t...
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| Format: | Article |
| Language: | fra |
| Published: |
Université Laval
2018-02-01
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| Series: | Communication |
| Subjects: | |
| Online Access: | https://journals.openedition.org/communication/7595 |
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