De la performance à la reconnaissance
Chelsea (Bradley) Manning’s trans identity stems from a gender production that can only partially be explained by the performance analytics underpinning the dramaturgical theories of Judith Butler and Harold Garfinkel. Manning’s particular relationship with visibility as a public figure predicates t...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Université Laval
2018-02-01
|
| Series: | Communication |
| Subjects: | |
| Online Access: | https://journals.openedition.org/communication/7595 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | Chelsea (Bradley) Manning’s trans identity stems from a gender production that can only partially be explained by the performance analytics underpinning the dramaturgical theories of Judith Butler and Harold Garfinkel. Manning’s particular relationship with visibility as a public figure predicates the need for a recognition analytics anchored in Paul Ricœur’s capacitating phenomenology. Examination of three significant events in Chelsea (Bradley) Manning’s life in the Anglo-Saxon public sphere provides an opportunity to observe different modalities of recognition and discuss the assumptions that underlie the theories of Butler and Garfinkel. |
|---|---|
| ISSN: | 1189-3788 1920-7344 |