Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez
Sara Gómez, the first Afro-Cuban female director, tried to capture and denounce in her movies the forms of power and domination that have become naturalized by the colonial social structures and which, regardless of the fact that the Revolution had declared them obsolete, continue to reproduce thems...
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| Format: | Article |
| Language: | English |
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Université des Antilles
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| Series: | Études Caribéennes |
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| Online Access: | https://journals.openedition.org/etudescaribeennes/17617 |
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| author | Laurence H. Mullaly |
| author_facet | Laurence H. Mullaly |
| author_sort | Laurence H. Mullaly |
| collection | DOAJ |
| description | Sara Gómez, the first Afro-Cuban female director, tried to capture and denounce in her movies the forms of power and domination that have become naturalized by the colonial social structures and which, regardless of the fact that the Revolution had declared them obsolete, continue to reproduce themselves and maintain asymetrical relationships in place. De cierta manera (One way or another) brings to the screen and questions from an original perspective the longevity of these ethnical and racial hierarchies, founded on gender and class, in the new Cuban society. |
| format | Article |
| id | doaj-art-108be9d98de74cd5a98793fdc8911a0e |
| institution | Kabale University |
| issn | 1779-0980 1961-859X |
| language | English |
| publisher | Université des Antilles |
| record_format | Article |
| series | Études Caribéennes |
| spelling | doaj-art-108be9d98de74cd5a98793fdc8911a0e2024-12-09T13:19:57ZengUniversité des AntillesÉtudes Caribéennes1779-09801961-859X410.4000/etudescaribeennes.17617Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara GómezLaurence H. MullalySara Gómez, the first Afro-Cuban female director, tried to capture and denounce in her movies the forms of power and domination that have become naturalized by the colonial social structures and which, regardless of the fact that the Revolution had declared them obsolete, continue to reproduce themselves and maintain asymetrical relationships in place. De cierta manera (One way or another) brings to the screen and questions from an original perspective the longevity of these ethnical and racial hierarchies, founded on gender and class, in the new Cuban society.https://journals.openedition.org/etudescaribeennes/17617Sara GómezCuban revolutionary cinemaafrofeminismOne way or another |
| spellingShingle | Laurence H. Mullaly Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez Études Caribéennes Sara Gómez Cuban revolutionary cinema afrofeminism One way or another |
| title | Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez |
| title_full | Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez |
| title_fullStr | Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez |
| title_full_unstemmed | Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez |
| title_short | Rastros de la esclavitud en la sociedad revolucionaria cubana: la isla según Sara Gómez |
| title_sort | rastros de la esclavitud en la sociedad revolucionaria cubana la isla segun sara gomez |
| topic | Sara Gómez Cuban revolutionary cinema afrofeminism One way or another |
| url | https://journals.openedition.org/etudescaribeennes/17617 |
| work_keys_str_mv | AT laurencehmullaly rastrosdelaesclavitudenlasociedadrevolucionariacubanalaislasegunsaragomez |