Vers une postmémoire de la traite et de l’esclavage ?

This essay examines how the post-memory of the suffering caused by the slave trade is depicted in two novels, Beloved (Toni Morrison) and Humus (Fabienne Kanor). In the first part, it analyses the modes of representing the body of the slave as well as the limits of the historical approach when one t...

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Main Author: Fabrice Schurmans
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2017-04-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/2188
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author Fabrice Schurmans
author_facet Fabrice Schurmans
author_sort Fabrice Schurmans
collection DOAJ
description This essay examines how the post-memory of the suffering caused by the slave trade is depicted in two novels, Beloved (Toni Morrison) and Humus (Fabienne Kanor). In the first part, it analyses the modes of representing the body of the slave as well as the limits of the historical approach when one tries to account for the trauma. This essay argues that art is probably best suited to address that past. In the second part, the text focusses the specific portrayal of the body of the female slave in order to highlight how women artists articulate the return to the past and the representation of that body. Finally, this comparative study on the black feminine Atlantic is intended to contribute to the emergence of a history of Europe that is open to its alterities and aware of the presence of other memories and post-memories, which are often regarded as being irrelevant or inexistent. This work on post-memories of the Atlantic black wandering turns out to be most important since the memories and the history promoted by the State tend to disregard the role played by the later in the slave trade and/or to value memories and post-memories of other historical events.
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spelling doaj-art-0fa5db6d26d947e38d46cf0d17324f222024-12-09T13:43:41ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982017-04-011010.4000/carnets.2188Vers une postmémoire de la traite et de l’esclavage ?Fabrice SchurmansThis essay examines how the post-memory of the suffering caused by the slave trade is depicted in two novels, Beloved (Toni Morrison) and Humus (Fabienne Kanor). In the first part, it analyses the modes of representing the body of the slave as well as the limits of the historical approach when one tries to account for the trauma. This essay argues that art is probably best suited to address that past. In the second part, the text focusses the specific portrayal of the body of the female slave in order to highlight how women artists articulate the return to the past and the representation of that body. Finally, this comparative study on the black feminine Atlantic is intended to contribute to the emergence of a history of Europe that is open to its alterities and aware of the presence of other memories and post-memories, which are often regarded as being irrelevant or inexistent. This work on post-memories of the Atlantic black wandering turns out to be most important since the memories and the history promoted by the State tend to disregard the role played by the later in the slave trade and/or to value memories and post-memories of other historical events.https://journals.openedition.org/carnets/2188black Atlanticslaverypost-memoryBelovedHumus
spellingShingle Fabrice Schurmans
Vers une postmémoire de la traite et de l’esclavage ?
Carnets
black Atlantic
slavery
post-memory
Beloved
Humus
title Vers une postmémoire de la traite et de l’esclavage ?
title_full Vers une postmémoire de la traite et de l’esclavage ?
title_fullStr Vers une postmémoire de la traite et de l’esclavage ?
title_full_unstemmed Vers une postmémoire de la traite et de l’esclavage ?
title_short Vers une postmémoire de la traite et de l’esclavage ?
title_sort vers une postmemoire de la traite et de l esclavage
topic black Atlantic
slavery
post-memory
Beloved
Humus
url https://journals.openedition.org/carnets/2188
work_keys_str_mv AT fabriceschurmans versunepostmemoiredelatraiteetdelesclavage