«O inferno é o real absoluto»: notas sobre as vanguardas tardias em Barcelona e Lisboa
This essay aims at establishing the relations between the avant-garde movements that took place in Lisbon and Barcelona in the late 1940s, having as a basis the year of 1948. In Lisbon, the year was marked by Mário Cesariny’s break with the Surrealist Group of Lisbon and the formation of a new group...
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| Main Author: | |
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| Format: | Article |
| Language: | Catalan |
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Sorbonne Université - Laboratoire CRIMIC (EA 2561)
2020-12-01
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| Series: | Catalonia |
| Subjects: | |
| Online Access: | https://journals.openedition.org/catalonia/379 |
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| Summary: | This essay aims at establishing the relations between the avant-garde movements that took place in Lisbon and Barcelona in the late 1940s, having as a basis the year of 1948. In Lisbon, the year was marked by Mário Cesariny’s break with the Surrealist Group of Lisbon and the formation of a new group called The Surrealists. In Barcelona, that same year, we have the emergence of the Catalan avant-garde group Dau Al Set, which had Joan Brossa as one of its founding members, as well as the release of a magazine by the same name. It is interesting to note that these late avant-garde movements developed in highly unfavorable political contexts, in Portugal during the Salazar dictatorship and in Spain under the Franco regime. As such, I intend to discuss the interventional and resistance aspects represented by these two artistic movements. |
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| ISSN: | 1760-6659 |