En torno a la expresión de la «hombría» del esclavo y del cimarrón en dos conjuntos monumentarios en Santiago de Cuba
The present article examines «manhood» as a category connected to the image of the slave and the cimarrón in Cuba. It analyzes two monuments located in Santiago de Cuba, as samples of the particular expression that such association assumes in the cultural environment of East Cuba. The text explores...
Saved in:
| Main Author: | Carlos A. Lloga Domínguez |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Université des Antilles
2020-05-01
|
| Series: | Études Caribéennes |
| Subjects: | |
| Online Access: | https://journals.openedition.org/etudescaribeennes/17521 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
‘Iron women’ dislodging ‘provider masculinities’: Why Connell’s framework of Hegemonic Masculinities is ‘useful but unhelpful’? [version 1; peer review: 1 approved, 2 approved with reservations]
by: Thoko Sipungu
Published: (2023-12-01) -
Histoire, cinéma et idéologie : réflexions sur le Cimarron de Wesley Ruggles (1930)
by: Elyette Benjamin-Labarthe
Published: (2010-04-01) -
Renaissance Man, Man of his Times: Norman Mailer’s "The White Negro" and Literary Manhood in 1950s America
by: Matthew Kriz
Published: (2012-04-01) -
El esclavo imaginado hoy en las artes visuales en el oriente de Cuba
by: María Elena Orozco Melgar, et al. -
La resistencia afrodescendiente en la Gobernación de Popayán
by: Francisco U. Zuluaga R.
Published: (2010-01-01)