Le Journal et les aquarelles de Robert Hood : une œuvre du paradoxe
Robert Hood was a member of the first Franklin expedition in search of the North West Passage. His journal, his paintings and drawings, while products of colonial times, may nevertheless be considered collectively as a treatise of respect and tolerance providing interesting keys to otherness. Hood d...
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| Format: | Article |
| Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2014-07-01
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| Series: | E-REA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/erea/3835 |
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| Summary: | Robert Hood was a member of the first Franklin expedition in search of the North West Passage. His journal, his paintings and drawings, while products of colonial times, may nevertheless be considered collectively as a treatise of respect and tolerance providing interesting keys to otherness. Hood discusses difference, exchange and principally respect for both humans, whatever his or her culture, and animals. Though primarily a journal for the Admiralty and the English reading public, Hood’s text and pictures suggest a wider, philosophical reading of otherness. This unfinished text addresses the paradox of a colonial text eventually becoming a philosophical work, engaging with otherness. |
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| ISSN: | 1638-1718 |