Dracula Gramophone
The article draws on two 1987 lectures by Derrida, collected under the general heading, Ulysse Gramophone, for its own title. Its basic aim is to register the full (and so far little explored) impact of the sense of hearing, and of the auditory imagination, on and within Bram Stoker’s Dracula. Depar...
Saved in:
Main Author: | Marc Porée |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2009-03-01
|
Series: | Revue LISA |
Online Access: | https://journals.openedition.org/lisa/104 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Bram Stoker, Dracula
by: Nathalie Saudo-Welby
Published: (2011-11-01) -
Foreign words, Gramophones and Truth in “Politics and the English Language” by George Orwell (1946)
by: Pierre Guerlain
Published: (2015-02-01) -
His Master’s Voice: Sound Devices in Bram Stoker’s Dracula
by: Maria Parrino
Published: (2021-11-01) -
Gilles Menegaldo et Dominique Sipiere (eds.). Dracula : Stoker/Coppola
by: Annie Escuret
Published: (2006-12-01) -
Vínculos de sangre: de Carmilla y Drácula a Alucarda
by: Carlos Gerardo Zermeño-Vargas
Published: (2015-01-01)