Słyszeć poprzez język. Pogłosy awangardy

 The paper addresses two main issues: the first relates to modern hearing and the phenomenon of a new understanding of sound in the world of modernity, the second — as a consequence — to the repercussions of the auditory experience in the works of representatives of the first avantgarde. The author...

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Main Author: Andrzej Hejmej
Format: Article
Language:English
Published: Łódzkie Towarzystwo Naukowe 2019-12-01
Series:Zagadnienia Rodzajów Literackich
Online Access:https://czasopisma.ltn.lodz.pl/Zagadnienia-Rodzajow-Literackich/article/view/668
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author Andrzej Hejmej
author_facet Andrzej Hejmej
author_sort Andrzej Hejmej
collection DOAJ
description  The paper addresses two main issues: the first relates to modern hearing and the phenomenon of a new understanding of sound in the world of modernity, the second — as a consequence — to the repercussions of the auditory experience in the works of representatives of the first avantgarde. The author, following various examples of avant-garde manifestations of “language-noise” (including the works of Filippo Tommaso Marinetti, Luigi Russolo, artists of Cabaret Voltaire in Zurich), points out that they reveal the compulsion to hear, to be in sound-noise. He highlights the special importance of early European avant-garde movements (such as Futurism and Dadaism) in the process of restoring the proper sound potential to language (and literature) and at the same time refers to the new understanding of literature in the context of the modern soundscape.
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institution Kabale University
issn 0084-4446
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language English
publishDate 2019-12-01
publisher Łódzkie Towarzystwo Naukowe
record_format Article
series Zagadnienia Rodzajów Literackich
spelling doaj-art-06ecd057547947e2bda066d5c4e5f8d22024-11-20T13:00:49ZengŁódzkie Towarzystwo NaukoweZagadnienia Rodzajów Literackich0084-44462451-03352019-12-0162210.26485/ZRL/2019/62.2/1Słyszeć poprzez język. Pogłosy awangardyAndrzej Hejmej0https://orcid.org/0000-0002-3385-0664Uniwersytet Jagielloński, Katedra Teorii Literatury, Wydział Polonistyki  The paper addresses two main issues: the first relates to modern hearing and the phenomenon of a new understanding of sound in the world of modernity, the second — as a consequence — to the repercussions of the auditory experience in the works of representatives of the first avantgarde. The author, following various examples of avant-garde manifestations of “language-noise” (including the works of Filippo Tommaso Marinetti, Luigi Russolo, artists of Cabaret Voltaire in Zurich), points out that they reveal the compulsion to hear, to be in sound-noise. He highlights the special importance of early European avant-garde movements (such as Futurism and Dadaism) in the process of restoring the proper sound potential to language (and literature) and at the same time refers to the new understanding of literature in the context of the modern soundscape. https://czasopisma.ltn.lodz.pl/Zagadnienia-Rodzajow-Literackich/article/view/668
spellingShingle Andrzej Hejmej
Słyszeć poprzez język. Pogłosy awangardy
Zagadnienia Rodzajów Literackich
title Słyszeć poprzez język. Pogłosy awangardy
title_full Słyszeć poprzez język. Pogłosy awangardy
title_fullStr Słyszeć poprzez język. Pogłosy awangardy
title_full_unstemmed Słyszeć poprzez język. Pogłosy awangardy
title_short Słyszeć poprzez język. Pogłosy awangardy
title_sort slyszec poprzez jezyk poglosy awangardy
url https://czasopisma.ltn.lodz.pl/Zagadnienia-Rodzajow-Literackich/article/view/668
work_keys_str_mv AT andrzejhejmej słyszecpoprzezjezykpogłosyawangardy