Vidéo-clip musical et vidéo expérimentale
In the early 2000s, two phenomena emerged at the same time: the sprouting in Lebanon of a video clip industry that spread throughout the Arab world and the recognition, in the field of contemporary art, of a new class of video artists from the region. A study of these two antithetical visual forms,...
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| Format: | Article |
| Language: | English |
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Université de Provence
2013-12-01
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| Series: | Revue des Mondes Musulmans et de la Méditerranée |
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| Online Access: | https://journals.openedition.org/remmm/8211 |
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| _version_ | 1841552034678964224 |
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| author | Némésis Srour |
| author_facet | Némésis Srour |
| author_sort | Némésis Srour |
| collection | DOAJ |
| description | In the early 2000s, two phenomena emerged at the same time: the sprouting in Lebanon of a video clip industry that spread throughout the Arab world and the recognition, in the field of contemporary art, of a new class of video artists from the region. A study of these two antithetical visual forms, which differ both aesthetically, and in their resources (technical, economic) and purpose, revealed the same paradoxical logic of a “deterritorialized” image, in a place where the notion of territory is a recurring pattern of both political and symbolic lives. Through the convergence of image and sound, games of dissonance work to eliminate the congruence between identity and national territory, and open the Arab world to other resonances, in an act of resistance to traditional boundaries. |
| format | Article |
| id | doaj-art-06cfb3d578ea41d3bf50f440a2bcd510 |
| institution | Kabale University |
| issn | 0997-1327 2105-2271 |
| language | English |
| publishDate | 2013-12-01 |
| publisher | Université de Provence |
| record_format | Article |
| series | Revue des Mondes Musulmans et de la Méditerranée |
| spelling | doaj-art-06cfb3d578ea41d3bf50f440a2bcd5102025-01-09T13:22:26ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712013-12-01134576910.4000/remmm.8211Vidéo-clip musical et vidéo expérimentaleNémésis SrourIn the early 2000s, two phenomena emerged at the same time: the sprouting in Lebanon of a video clip industry that spread throughout the Arab world and the recognition, in the field of contemporary art, of a new class of video artists from the region. A study of these two antithetical visual forms, which differ both aesthetically, and in their resources (technical, economic) and purpose, revealed the same paradoxical logic of a “deterritorialized” image, in a place where the notion of territory is a recurring pattern of both political and symbolic lives. Through the convergence of image and sound, games of dissonance work to eliminate the congruence between identity and national territory, and open the Arab world to other resonances, in an act of resistance to traditional boundaries.https://journals.openedition.org/remmm/8211music videoexperimental videoterritorydeterritorializationimaginationnation |
| spellingShingle | Némésis Srour Vidéo-clip musical et vidéo expérimentale Revue des Mondes Musulmans et de la Méditerranée music video experimental video territory deterritorialization imagination nation |
| title | Vidéo-clip musical et vidéo expérimentale |
| title_full | Vidéo-clip musical et vidéo expérimentale |
| title_fullStr | Vidéo-clip musical et vidéo expérimentale |
| title_full_unstemmed | Vidéo-clip musical et vidéo expérimentale |
| title_short | Vidéo-clip musical et vidéo expérimentale |
| title_sort | video clip musical et video experimentale |
| topic | music video experimental video territory deterritorialization imagination nation |
| url | https://journals.openedition.org/remmm/8211 |
| work_keys_str_mv | AT nemesissrour videoclipmusicaletvideoexperimentale |