De l’augustinisme à la théosophie

Despite the fact that its title definitely suggests an alchemical treatise, the present work by Johann Valentin Andreae proves, when read attentively, to be inspired by biblical theology. As a matter of fact, it is deeply influenced by the theses of Luther and Calvin and, through them, by St. August...

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Main Author: Jean-François Alizon
Format: Article
Language:deu
Published: Presses universitaires de Strasbourg 2018-07-01
Series:Recherches Germaniques
Subjects:
Online Access:https://journals.openedition.org/rg/778
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author Jean-François Alizon
author_facet Jean-François Alizon
author_sort Jean-François Alizon
collection DOAJ
description Despite the fact that its title definitely suggests an alchemical treatise, the present work by Johann Valentin Andreae proves, when read attentively, to be inspired by biblical theology. As a matter of fact, it is deeply influenced by the theses of Luther and Calvin and, through them, by St. Augustine. Underlying the entire text, the anguish of the main character is perceivable: Have I been the subject of election by divine grace, or not? In 1616, almost a hundred years after the first proclamation of the Reformation, Protestantism was seen by some as having lost some of the spiritual momentum of its founders. In order to breathe new life into it, J.V. Andreae tried to restore the strict approach of Luther, for whom Christian faith was an experience, lived out at a deep inner level. But, as is well-known, Luther was in turn profoundly influenced by St. Augustine’s dualism and the struggle between inner and outer man, spirit and body, the divine and earthly realms. In this context, why did the Chymical Wedding’s author feel the need to use the images and the language of alchemy? In this respect, there appears to be a dual contradiction: at first, in the novel, Andreae seems to poke fun at Paracelsus and at alchemical literature. On the other hand, Lutheran theology is in contradiction with alchemical thought, which seeks to unite spirit and matter, good and evil, male and female. We put forward the following hypothesis: Andreae deeply needed to overcome St. Augustine’s dualism, so to that end he made use of alchemical thought, which was firmly rooted in contemporary culture. Furthermore, it allowed him to conjure up the world of images, which had been rejected by Protestantism. During this era of the Counter Reformation and of the emergence of the Baroque period, he brought back to life the imagination and the world of the soul, in an attempt to restore the living link between spirit and body. By reintegrating the world of the soul and of nature in Protestantism, the Chymical Wedding lays the foundations for the spiritual rebirth of Protestantism, and for the Lutheran theosophy of the late 16th and 17th century, i.e. Weigel, Nicolaï, and Böhme.
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spelling doaj-art-06be5c16d967468cb7f2dbbe9a77126b2025-01-10T14:28:06ZdeuPresses universitaires de StrasbourgRecherches Germaniques0399-19892649-860X2018-07-011310912210.4000/rg.778De l’augustinisme à la théosophieJean-François AlizonDespite the fact that its title definitely suggests an alchemical treatise, the present work by Johann Valentin Andreae proves, when read attentively, to be inspired by biblical theology. As a matter of fact, it is deeply influenced by the theses of Luther and Calvin and, through them, by St. Augustine. Underlying the entire text, the anguish of the main character is perceivable: Have I been the subject of election by divine grace, or not? In 1616, almost a hundred years after the first proclamation of the Reformation, Protestantism was seen by some as having lost some of the spiritual momentum of its founders. In order to breathe new life into it, J.V. Andreae tried to restore the strict approach of Luther, for whom Christian faith was an experience, lived out at a deep inner level. But, as is well-known, Luther was in turn profoundly influenced by St. Augustine’s dualism and the struggle between inner and outer man, spirit and body, the divine and earthly realms. In this context, why did the Chymical Wedding’s author feel the need to use the images and the language of alchemy? In this respect, there appears to be a dual contradiction: at first, in the novel, Andreae seems to poke fun at Paracelsus and at alchemical literature. On the other hand, Lutheran theology is in contradiction with alchemical thought, which seeks to unite spirit and matter, good and evil, male and female. We put forward the following hypothesis: Andreae deeply needed to overcome St. Augustine’s dualism, so to that end he made use of alchemical thought, which was firmly rooted in contemporary culture. Furthermore, it allowed him to conjure up the world of images, which had been rejected by Protestantism. During this era of the Counter Reformation and of the emergence of the Baroque period, he brought back to life the imagination and the world of the soul, in an attempt to restore the living link between spirit and body. By reintegrating the world of the soul and of nature in Protestantism, the Chymical Wedding lays the foundations for the spiritual rebirth of Protestantism, and for the Lutheran theosophy of the late 16th and 17th century, i.e. Weigel, Nicolaï, and Böhme.https://journals.openedition.org/rg/778theosophyoriginal sinapocalypsepredestinationmetanoiainner image
spellingShingle Jean-François Alizon
De l’augustinisme à la théosophie
Recherches Germaniques
theosophy
original sin
apocalypse
predestination
metanoia
inner image
title De l’augustinisme à la théosophie
title_full De l’augustinisme à la théosophie
title_fullStr De l’augustinisme à la théosophie
title_full_unstemmed De l’augustinisme à la théosophie
title_short De l’augustinisme à la théosophie
title_sort de l augustinisme a la theosophie
topic theosophy
original sin
apocalypse
predestination
metanoia
inner image
url https://journals.openedition.org/rg/778
work_keys_str_mv AT jeanfrancoisalizon delaugustinismealatheosophie