Spectral Telepathy: the Late Style of Susan Howe
Susan Howe’s late style marks a departure from her earlier work. Two books recently published—The Quarry (New Directions, 2015) and Tom Tit Tot (Museum of Modern Art, 2015) illustrate this point. Whereas Howe’s earlier books of critical prose—for example, My Emily Dickinson (1985)—used scholarship t...
Saved in:
Main Author: | Marjorie Perloff |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2017-01-01
|
Series: | Transatlantica |
Subjects: | |
Online Access: | https://journals.openedition.org/transatlantica/8146 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Susan Howe’s Caesurae
by: Andrew Eastman
Published: (2021-07-01) -
Filmar para tajar: Madrid en el cine en torno al 15-M
by: Luis Deltell Escolar
Published: (2022-07-01) -
“A Cormorant of Libraries”: The Future-Past of Susan Howe’s “Melville’s Marginalia”
by: Mark Tardi
Published: (2023-09-01) -
Tongues Untied (Marlon Riggs, 1989) et Paris is Burning (Jennie Livingston, 1990) : les documentaires du New Queer Cinema
by: Camille Bui
Published: (2014-02-01) -
Kristen Case. American Pragmatism and Poetic Practice: Crosscurrents from Emerson to Susan Howe
by: Stamatina Dimakopoulou
Published: (2013-11-01)