Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali

The article addresses some of the main challenges related to the transmission of music-historical knowledge in today’s educational context, both at the school and academic levels. The focus is on the construction of historical knowledge, a crucial issue for the modes of historiographical narration....

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Main Author: Maria Rosa De Luca
Format: Article
Language:deu
Published: University of Bologna 2024-12-01
Series:Musica Docta
Subjects:
Online Access:https://musicadocta.unibo.it/article/view/20912
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author Maria Rosa De Luca
author_facet Maria Rosa De Luca
author_sort Maria Rosa De Luca
collection DOAJ
description The article addresses some of the main challenges related to the transmission of music-historical knowledge in today’s educational context, both at the school and academic levels. The focus is on the construction of historical knowledge, a crucial issue for the modes of historiographical narration. In this context, the analysis of teaching-learning procedures in music history extends to the music museum, understood as a space dedicated to promoting the learning of music history knowledge through innovative teaching approaches. The epistemological assumptions of didactic work are also discussed, taking into account the urgent problems that teachers face today in the process of didactic transposition, starting with the resistance to the growing phenomenon of presentism.
format Article
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institution Kabale University
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spelling doaj-art-05f7994f1149450e882654f3d9d8bb3c2025-01-15T14:58:20ZdeuUniversity of BolognaMusica Docta2039-97152024-12-011410311110.6092/issn.2039-9715/2091219284Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicaliMaria Rosa De Luca0Università di CataniaThe article addresses some of the main challenges related to the transmission of music-historical knowledge in today’s educational context, both at the school and academic levels. The focus is on the construction of historical knowledge, a crucial issue for the modes of historiographical narration. In this context, the analysis of teaching-learning procedures in music history extends to the music museum, understood as a space dedicated to promoting the learning of music history knowledge through innovative teaching approaches. The epistemological assumptions of didactic work are also discussed, taking into account the urgent problems that teachers face today in the process of didactic transposition, starting with the resistance to the growing phenomenon of presentism.https://musicadocta.unibo.it/article/view/20912heritage educationmuseum educationmusic history knowledgemusic museumscitizenship education
spellingShingle Maria Rosa De Luca
Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali
Musica Docta
heritage education
museum education
music history knowledge
music museums
citizenship education
title Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali
title_full Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali
title_fullStr Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali
title_full_unstemmed Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali
title_short Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali
title_sort apprendere al museo la musica come storia didattica museale e costruzione delle conoscenze storico musicali
topic heritage education
museum education
music history knowledge
music museums
citizenship education
url https://musicadocta.unibo.it/article/view/20912
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