Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca

In Así que pasen cinco años, by Federico García Lorca, the use of verse and prose has a special semiotic dimension which has to do with the different dramatic components, especially the dreamlike and realistic plane of the action, the metamorphoses of the characters, and the different dramatic level...

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Main Author: María Victoria Utrera Torremocha
Format: Article
Language:Catalan
Published: Masaryk University 2024-10-01
Series:Études romanes de Brno
Subjects:
Online Access:https://journals.phil.muni.cz/erb/article/view/39936
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author María Victoria Utrera Torremocha
author_facet María Victoria Utrera Torremocha
author_sort María Victoria Utrera Torremocha
collection DOAJ
description In Así que pasen cinco años, by Federico García Lorca, the use of verse and prose has a special semiotic dimension which has to do with the different dramatic components, especially the dreamlike and realistic plane of the action, the metamorphoses of the characters, and the different dramatic levels temporally juxtaposed in the drama (metadiegesis, metadrama and metatheater). Along with other non-verbal codes, such as lighting, costumes or makeup, the mixture of verse and prose is essential in the drama formal articulation and explain the great topics that run through it: the great theater of the world, the paradox of truth of theater and lies of reality, and the masks and the hidden identities.
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series Études romanes de Brno
spelling doaj-art-01d5ecac22cb4bbca7f78ebebcb8e04b2025-01-04T07:23:42ZcatMasaryk UniversityÉtudes romanes de Brno1803-73992336-44162024-10-0145310.5817/ERB2024-3-13Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García LorcaMaría Victoria Utrera TorremochaIn Así que pasen cinco años, by Federico García Lorca, the use of verse and prose has a special semiotic dimension which has to do with the different dramatic components, especially the dreamlike and realistic plane of the action, the metamorphoses of the characters, and the different dramatic levels temporally juxtaposed in the drama (metadiegesis, metadrama and metatheater). Along with other non-verbal codes, such as lighting, costumes or makeup, the mixture of verse and prose is essential in the drama formal articulation and explain the great topics that run through it: the great theater of the world, the paradox of truth of theater and lies of reality, and the masks and the hidden identities.https://journals.phil.muni.cz/erb/article/view/39936Federico García LorcaAsí que pasen cinco añossemioticsverse and prosedramatic levels
spellingShingle María Victoria Utrera Torremocha
Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca
Études romanes de Brno
Federico García Lorca
Así que pasen cinco años
semiotics
verse and prose
dramatic levels
title Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca
title_full Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca
title_fullStr Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca
title_full_unstemmed Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca
title_short Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca
title_sort theatricality versification and dramatic levels in asi que pasen cinco anos by federico garcia lorca
topic Federico García Lorca
Así que pasen cinco años
semiotics
verse and prose
dramatic levels
url https://journals.phil.muni.cz/erb/article/view/39936
work_keys_str_mv AT mariavictoriautreratorremocha theatricalityversificationanddramaticlevelsinasiquepasencincoanosbyfedericogarcialorca