La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoires

Musical movement politically engaged that appeared in the 1960’s and followed the line of work in research and creation of the Research Institute o Musical Folklore of the Universidad de Chile, the Nueva Canción Chilena became the voice of a silenced majority. Witnesses of their time, the authors an...

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Main Author: Aurélie Prom
Format: Article
Language:English
Published: UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA) 2018-02-01
Series:Les Cahiers de Framespa
Subjects:
Online Access:https://journals.openedition.org/framespa/4605
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author Aurélie Prom
author_facet Aurélie Prom
author_sort Aurélie Prom
collection DOAJ
description Musical movement politically engaged that appeared in the 1960’s and followed the line of work in research and creation of the Research Institute o Musical Folklore of the Universidad de Chile, the Nueva Canción Chilena became the voice of a silenced majority. Witnesses of their time, the authors and compositors Víctor Jara, Violeta Parra and even Luis Advis tell significant events and demand sociopolitical changes that socialism would be able to bring. Nevertheless, they also tried to fight against forgetting historical events that were too occasionally registered by the official history and however left their mark on popular imagination. This is how they also tried to restore truths that the elite preferred to ignore. Those troubadours revisited inglorious episodes of Chilean History that shouldn’t be forgotten, using personal stories to tell a greater story, to build a better future for the Chilean nation would be possible.
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publishDate 2018-02-01
publisher UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)
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spelling doaj-art-01c14d34f9334319b629112edbab97562025-01-09T15:42:56ZengUMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)Les Cahiers de Framespa1760-47612018-02-012610.4000/framespa.4605La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoiresAurélie PromMusical movement politically engaged that appeared in the 1960’s and followed the line of work in research and creation of the Research Institute o Musical Folklore of the Universidad de Chile, the Nueva Canción Chilena became the voice of a silenced majority. Witnesses of their time, the authors and compositors Víctor Jara, Violeta Parra and even Luis Advis tell significant events and demand sociopolitical changes that socialism would be able to bring. Nevertheless, they also tried to fight against forgetting historical events that were too occasionally registered by the official history and however left their mark on popular imagination. This is how they also tried to restore truths that the elite preferred to ignore. Those troubadours revisited inglorious episodes of Chilean History that shouldn’t be forgotten, using personal stories to tell a greater story, to build a better future for the Chilean nation would be possible.https://journals.openedition.org/framespa/4605folkloreHistoryforgettingnationsong
spellingShingle Aurélie Prom
La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoires
Les Cahiers de Framespa
folklore
History
forgetting
nation
song
title La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoires
title_full La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoires
title_fullStr La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoires
title_full_unstemmed La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoires
title_short La Nouvelle Chanson Chilienne : contre l’oubli de l’Histoire et des histoires
title_sort la nouvelle chanson chilienne contre l oubli de l histoire et des histoires
topic folklore
History
forgetting
nation
song
url https://journals.openedition.org/framespa/4605
work_keys_str_mv AT aurelieprom lanouvellechansonchiliennecontreloublidelhistoireetdeshistoires