1776 and Hamilton: Comparing “Founding” Histories in Musical Theatre

This article analyzes how Hamilton and 1776 address a similar historical moment to engage history about the “founding” of the United States, and how their different engagements with that history reflect the specific cultural moments in which they occur. This article asks how these musicals use the a...

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Main Author: Anne Melissa Potter
Format: Article
Language:English
Published: European Association for American Studies 2023-02-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/19309
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author Anne Melissa Potter
author_facet Anne Melissa Potter
author_sort Anne Melissa Potter
collection DOAJ
description This article analyzes how Hamilton and 1776 address a similar historical moment to engage history about the “founding” of the United States, and how their different engagements with that history reflect the specific cultural moments in which they occur. This article asks how these musicals use the affordances of the musical to comment on controversial aspects of the “founding” that carry contemporary resonances, both in 1969 and 2015: slavery and the future of the country. The two musicals examine these key problems in American history through differences in “who” interacts with and tells these stories in the musicals. Their responses to these issues are also shaped by the political administrations and contexts in place when they were written. 1776 is more critical of the current political system than Hamilton, but both musicals disrupt traditional historical narratives through music.
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spelling doaj-art-00e5f7a46da6418cbbf988b9c15959f12025-01-06T09:08:21ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362023-02-0118110.4000/ejas.193091776 and Hamilton: Comparing “Founding” Histories in Musical TheatreAnne Melissa PotterThis article analyzes how Hamilton and 1776 address a similar historical moment to engage history about the “founding” of the United States, and how their different engagements with that history reflect the specific cultural moments in which they occur. This article asks how these musicals use the affordances of the musical to comment on controversial aspects of the “founding” that carry contemporary resonances, both in 1969 and 2015: slavery and the future of the country. The two musicals examine these key problems in American history through differences in “who” interacts with and tells these stories in the musicals. Their responses to these issues are also shaped by the political administrations and contexts in place when they were written. 1776 is more critical of the current political system than Hamilton, but both musicals disrupt traditional historical narratives through music.https://journals.openedition.org/ejas/19309HamiltonSlaveryvoting rights1776Declaration of IndependenceCompromise of 1790
spellingShingle Anne Melissa Potter
1776 and Hamilton: Comparing “Founding” Histories in Musical Theatre
European Journal of American Studies
Hamilton
Slavery
voting rights
1776
Declaration of Independence
Compromise of 1790
title 1776 and Hamilton: Comparing “Founding” Histories in Musical Theatre
title_full 1776 and Hamilton: Comparing “Founding” Histories in Musical Theatre
title_fullStr 1776 and Hamilton: Comparing “Founding” Histories in Musical Theatre
title_full_unstemmed 1776 and Hamilton: Comparing “Founding” Histories in Musical Theatre
title_short 1776 and Hamilton: Comparing “Founding” Histories in Musical Theatre
title_sort 1776 and hamilton comparing founding histories in musical theatre
topic Hamilton
Slavery
voting rights
1776
Declaration of Independence
Compromise of 1790
url https://journals.openedition.org/ejas/19309
work_keys_str_mv AT annemelissapotter 1776andhamiltoncomparingfoundinghistoriesinmusicaltheatre