A Lacanian Study of Mutiny and Morbidity in the Poetry of Henry Charles Bukowski and Nosrat Rahmani by Mahnoosh Vahdati, Fazel Asadi Amjad

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Analyzing Sartrean Inter-subjectivity and Concept of the Look in Macbeth by Masoomeh Rahmani Goldareh, Fazel Asadi Amjad

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Love and Redemption of Modern Man: Deleuzian and Sadraian “Becoming in Love” by Seyedeh Solmaz Moosavi, Fazel Asadi Amjad

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Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland by Fariba NoorBakhsh, Fazel Asadi Amjad

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Traces of the Leibnizian Theodicy in John Donne’s Devotions upon Emergent Occasions by Mahdi Ghiasian Shahrbabaki, Fazel Asadi Amjad

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Lynching and its Representation in African American Drama: Traumatic Memory in Sleep Deprivation Chamber and Rachel by Somayeh Salehi, Esmaeil Najar, Fazel Asadi Amjad

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Post Colonialist Features of Lorraine Hansberry’s Les Blancs From the Viewpoint of Henry Louis Gates by Maryam Jalali Farahani, Fazel Asadi Amjad, Mohsen Hanif, Tahereh Rezaei

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